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yama-bato: PHOTOGRAVURE LERULÉ By Pierre Jahan
kvetchlandia: Gjon Mili Nude Descending a Staircase (After Marcel Duchamp’s Nude Descending a Staircase #2) 1949
regardintemporel: Wolf Vostell - Oscillograph on Beethoven, 1959-1963
teknari: Cacia Zoo by Teknari
regardintemporel: Lee Kaloidis
+ C L O S E D +
darknessabide: dardant-universe: Marcel Marien Translation of writing: Mute and blind, here I am, cloathed by the thoughts you’ve bestowed me.
nemfrog: “Wood’s metal corrosion of the lung of a suckling pig two days old.” The American journal of anatomy. Vol. VI. 1906-7.
last-picture-show: Boris Libnitzki, Jean Cocteau, 1934
nervoservo: Victor Meeussen - Kermis (1950-1959)
vivipiuomeno1: Silvia Grav ph.
design-is-fine: Grete Stern, Dreams (Sueños), 1949-1950. Photomontages © 2015 Estate of Horacio Coppola. Stern did study at the bauhaus, opened a pioneering photo studio ringl + pit and fled Nazi Germany in 1935, finally settling down in Argentinia.
inneroptics: Michael Tunk
regardintemporel: Paul Bongé - Abandoned Building, Pt. Mendocino, ca. 2001
tresroemer: heavy fire collage by Tres Roemer ©Tres Roemer, 2013
tresroemer: untitled, ©Tres Roemer, 11 x 14, cut paper collage, December 2014.
edelinelee: Nusch Eluard, 1935. Photo Dora Maar © Collection of the Centre Pompidou, Paris
thesoviette:L’Age d’or, by Luis Buñuel and Salvador Dalí (1930)
nievesmingueza:L'age d'or, 1930 (L. Buñuel)
inneroptics: Jerry N. Uelsmann
kvetchlandia: Andreas Feininger Untitled 1933
regardintemporel: Robert Bresson - Headless, 1932
regardintemporel: Heinz Hajek Halke - Träumende Fische
kuplenko: FDA Fine Art FA40002 Photograms of Natural Objects. This technique has made me think about placement, pattern and design in the natural world and how this could translate into paintings, sculpture and other mediums, I like the other worldly
warburtonave: George Platt Lynes Danae and the Shower of Gold
collageoftheweek: Karel Teige, Collage #248 1942
florpoetis: When the Dark Guides the Heart / collage / Lia Cruz(flickr | instagram)
florpoetis: Lone Dream / © Lia Cruz
florpoetis: {Sentiments of a Dream} / handmade collage / Lia Cruz(flickr | instagram)
suklad: ph jon estwards
mpdrolet: Max Ernst and the seahorse, New York, 1942 Josef Breitenbach
lesfleursetlasouris: by Man Ray
regardintemporel: Alain Dries - Composition, ca. 1950
eyesaremosaics: The Testament of Orpheus– Jean Cocteau
directriz: Meshes of the Afternoon. Maya Deren. | Alexandr Hackenschmied. 1943.
thegreatinthesmall: Picasso standing in front of his sculpture “Head of Woman with Hair Bun”, 1931, Photo by Antonio Cores
vivipiuomeno1: Brian Toussaint (France, 1982 - Madrid based) from ‘Sueños, ojos abiertos’ serie, analog
lafilleblanc: Sigmar Polke Untitled, signed and dated 2006 dispersion and gouache on paper (via)
reinedelabite: Man Ray, mains, 1925.
de-licacy: Untitled c 1926 - 1927 From the series “A Pictorial Compendium of Witchcraft” byWilliam Mortensen
grigiabot: Philippe Simon - Nus féminins et superpositions, c. 1970. - Trois épreuves[…]
regardintemporel: Ulrich Lindner - Sans Titre, ca. 1980
lepasau-dela: Hans Richter, Filmstudie (1926)
poloniumtherapy: Claudia Pomowski
regardintemporel: Antoni CLAVÉ - Sans titre, Technique mixte et collage, Août 2002
vivipiuomeno1: Nicolas Schöffer, CYSP1 (moving), 1956, steel, duraluminum
regardintemporel: Photographie annotée au verso de la main de Valentine Hugo « André Breton, 1920 ». Cette photographie, dont on ne connaît pas l'auteur, a été reproduite dans le catalogue de l'exposition André Breton, au centre Pompidou,
regardintemporel: Alison Gill - Three Way Mirror, 2012
randomdays-1: Francis BaconPhotography found in his studio
shihlun:Hans Richter, Ghosts Before Breakfast, 1928.
looseartist: Is it pain? by Tanja Jeremić tumblr
vnutrennosti: untitled
clockworkapricot: Roger Ballen
inneroptics: Frantisek DRTIKOL 1927
onlyoldphotography: László Moholy-Nagy: The Olly and Dolly sisters, around 1925 A floating circle, a common motif in László Moholy-Nagy’s work, is a dominant, repeated form in this composition: one superimposed over the face of a human figure,
spaceintruderdetector: László Moholy-Nagy -Special Effect for “Things to Come” 1936
corail77: Francesca Woodman
regardintemporel: Francisca Pageo
regardintemporel: Julien Coulommier