self-shadowing prey (surrealist-phantoms.tumblr.com)
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inneroptics: Josef Balcar
musicktoplayinthedark: David Lynch
ltno43: Meshes of the afternoon Directed by Maya Deren & Alexander Hammid - 1943 - USA (short film - 15 min)
petitobjetrhizomatique: Red Boredom
hauntedbystorytelling: Lou Jacobs :: from the magazine Figure, issue # 1, 1951 (solarized) / original source from scanned magazine in hi-res: puppies and flowers more [+] by this photographer
tierradentro: “Fountain”, 1917, Marcel Duchamp. Photo: Alfred Stieglitz.
cabaret-mistico: desvanecerme: fusionarse: errant-e: sombraschineskas: douloureux-amour: vasilyt: ignacioararipe: foxesinbreeches: Karel Teige, 1940 Via calypsospots [See also]
grigiabot: Katrien De Blauwer
grigiabot: “Tête de chien” (papier) de PicassoBrassaï
hauntedbystorytelling: Man Ray :: Nusch Éluard au miroir, 1935more [+] by this photographer
novaub313: Salvador Dali’s wife, Gala. Her wall-penetrating eyes photographed and touched up by Max Ernst, 1925.
madivinecomedie: madivinecomedie:Marcel Mariën. Calligramme autographe sur photographie See also
fragrantblossoms: Hans Bellmer, plates from La Poupée, 1936.
netlex:Hansel Mieth, Bauhaus, 1938
pentauroi:Heinz HAJEK-HALKE
kdp:Frederick Kiesler. ‘Surrealist Gallery’. Art of this Century, New York City. 1942. Organised by Andre Breton.
unpetitpeudepetitspois: Pierre Clémenti dans Belle de jour, 1966 🎥: Luis Buñuel
nonaaginat: frenchtwist: La Poupée by Hans Bellmer, c. 1934If the origin of my work is scandalous, it is because, for me, the world is scandal.
foxesinbreeches: Illustration by Hans Bellmer Via você vai me matar
artaslanguage:generous time [1974] ////Sawada Shin’ichi
pentauroi:Deborah Stevenson
annaxmalina: {2017}(35mm (neopan acros pushed to iso 400), scanned negative, laser prints)
curiousmiscellanies: from LARMES DE VERRE man ray 1932 giff par Baldo
inthenoosphere:Oscillons, Ben F. Laposky, 1952-56
blueblackdream: Man Ray, ca. 1923
theories-of: Roger Ballen School Room
kirgiakos: Etching by Salvador Dali for André Breton’s ‘’Le Revolver à cheveux blancs’’ poems collection written from 1915-1932.
minornightmares: Dakota Snaketail, ‘Demons, Inside and Out (For Mitchell)’, 2017 (16"x20", acrylics on canvas)
pingpongovertheabyss: Series on Gyorgy Kepes: Hungarian-born painter, author, designer, author and educator. ““Everything that is seen enters the human eye as a pattern of light qualities. We discern forms in space as configurations of brightness
jaw8jaw: Hans Bellmer - La Poupee - 1934
nonaaginat: funam-bule: Man Ray & Marcel Duchamp
self-shadowing-prey: aversive stimulus (?) I occasionally post my own trash over here
experiments-in-contemporary-blog: Duchamp - Fountain, 1917
experiments-in-contemporary-blog: Duchamp playing chess
showroomofvisualart: Man Ray, The Hands of Marcel Duchamp, 1920
ANTI
annalynnhammond: TrappingsDigital collage by Annalynn Hammond
collageoftheweek:Karel Teige, Collage, Rotogravure 1942
inneroptics: Marcel Duchamp-Arnold Newman
untitled-1991:louise bourgeois “she-fox” 1985
blushingcheekymonkey: pablo picasso (1930)
inneroptics: alyson belcher
inneroptics: Claude Cahun, Self-portrait
surrealist-phantoms:Rozenn Le Gall
oquamtristisetafflicta: Francesca Woodman
isabelreitemeyer: oT
ll-ll-l: Marcel Duchamp et sa Glissière contenant un Moulin à Eau (en métaux voisins) c. 1923 by Man Ray
inneroptics: Max Ernst
inneroptics: Marcel Duchamp
inneroptics: Jacques Rigaut -Man Ray
nuellemma-fontineau: [WOLS] – KAFKA, Franz (1883-1924). L'Invité des morts. Wols, pointes sèches. Textes traduits par Marthe Robert. Paris: Presses du livre français, 1948.
inneroptics: Victor Ershov
pentauroi: Stan Vanderbeek
pentauroi: Kati Horna
realityayslum: Bruce Conner - Angel, 1975. / Bruce Conner - Night Angel, 1975. Photograms: A Cameraless Image
isamarcelli: © Isa Marcelli
colin-vian: László Moholy-Nagy
mementomoriiv: Francesca Woodman - Self portrait talking to vince, Providence Rhode Island, 1977-1999
zzzze:Francis J. Bruguière untitled, [Sebastian Droste in “The Way” - multiple exposure, standing at lower left by abstract stage set, face superimposed in profile and full-face], ca. 1923-25 - New York Gelatin silver print.
blaue3: Collage #1721
![hauntedbystorytelling: Lou Jacobs :: from the magazine Figure, issue # 1, 1951 (solarized) / original source from scanned magazine in hi-res: puppies and flowers more [+] by this photographer](https://69.media.tumblr.com/7c24b8ad5221fdf19498ae2aed80efea/tumblr_owbdudWSuk1rp66ruo1_250.jpg)
![cabaret-mistico: desvanecerme: fusionarse: errant-e: sombraschineskas: douloureux-amour: vasilyt: ignacioararipe: foxesinbreeches: Karel Teige, 1940 Via calypsospots [See also]](https://64.media.tumblr.com/tumblr_l3y2iqnnpl1qa95wro1_r1_250.jpg)
![hauntedbystorytelling: Man Ray :: Nusch Éluard au miroir, 1935more [+] by this photographer](https://31.media.tumblr.com/d9b032de13bbe744d9733cc592ea449a/tumblr_owp04amWbp1rp66ruo1_250.jpg)
![artaslanguage:generous time [1974] ////Sawada Shin’ichi](https://69.media.tumblr.com/7903375204bc64e70bd46ac4ceff05da/tumblr_omvxpvuJWj1viw1vko1_250.jpg)
![nuellemma-fontineau: [WOLS] – KAFKA, Franz (1883-1924). L'Invité des morts. Wols, pointes sèches. Textes traduits par Marthe Robert. Paris: Presses du livre français, 1948.](https://40.media.tumblr.com/65cf344cee1dbca1e1d84c8639fb7e26/tumblr_ow8xl35Du51sck4llo1_250.jpg)
![zzzze:Francis J. Bruguière untitled, [Sebastian Droste in “The Way” - multiple exposure, standing at lower left by abstract stage set, face superimposed in profile and full-face], ca. 1923-25 - New York Gelatin silver print.](https://69.media.tumblr.com/2d89ed075eab1a39365148e40c8cebb2/tumblr_okq4ut8UAE1stt977o1_250.jpg)
