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larmoyante: “If you get hungry enough, they say, you start eating your own heart.” — Margaret Atwood, The Blind Assassin
themacabrenbold: Leonard Baskin Tormented Man. 1953
josephine7: A photo from Maison Martin Margiela’s first show in 1988
Want to be the murdered one but I don’t want to die.
dekonstruktivisme: Ann Demeulemeester spring—summer 1995. Ann Demeulemeester: I’m preoccupied with volume, larger, looser, but in a very erotical way. I try to cut a certain sensual movement into the clothes, a casual spirit, as if something is blown
mauveflwrs:Lucian Freud - Still Life with Book (1991-92)
freelance-philosopher: “I created myself, echo and abyss, by thinking. I multiplied myself, by going deeply into myself…” — Fernando Pessoa
rasarnava: Katzenversammlung (The Cats’ Assembly) by Quint Buccholz, 1995
designerleather: Karen Elson for Elle France - Jean Paul Gaultier leather catsuit
driflloon: anne sofie madsen ss16
From every corner it hurts
sadsarah: MARK Z. DANIELEWSKI House of Leaves (2000); photos by G. Ngayu, or @monstertalent
c-inefilia: “Before I saw Angelopoulos’s film, I, who had been brought up without a father, would never have thought that I would discover him in the image of a tree. This last scene of Landscape in the Mist was a revelation for me. It is a unique,
shipwreckofthesingular: shipwreckofthesingular: —Simone Weil, from Waiting for God —Charles Wright, from “Clear Night” —C.S. Lewis, Till We Have Faces: A Myth Retold / —Hélène Cixous, “Love of the Wolf” (trans. Keith Cohen), in
archivings: Yohji Yamamoto Fall/Winter 1999
88900985643: otto piene - don’t know, 1974
artist-boldini:Symphony in Gray, 1931, Giovanni Boldini
smoking-cinema: Possession (Andrzej Zulawski, 1981)
nobrashfestivity:Saul Leiter
VELVETMYS0UL
cnyck: [scan & edit] ph. Fran Herbello
r-siken: landscape with fruit rot and millipede, richard siken
when the pills wear off
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monarchofmurder:
maryjopeace: RONALD STOOPS | JURGI PERSOONS | JALOUSE | JUNE 2001 | STRIP-PROJECT | APRIL 2018
nemophilies:Masahisa Fukase, The Solitude of Ravens
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satanstorm: https://t.co/DmaRzkZGKP
victormalonso: poema de amor | víctor m. alonso victormalonso.com
adarchives: Bless in i-D issue 163 ‘OUTLOOK’ April 1997White shoes by Andrea Pfister
ozu-teapot: Håltimme (Short) | Jan Halldoff | 1964(Bo Halldoff), Karin Stenbäck
heartshop: “take me to the sweet essences that die each day in your memory” — Alejandra Pizarnik, from Extracting the Stones of Madness: Poems 1962-72
hauntology:La dernière énigme (F.J. Ossang, 1982)
raycastelo:Ray Castelo 2019
jinxproof:Hélène Fillières × Margielaph. Mark Borthwick
patchworkquiltedbutterflychair: Andrea & Nicoletta Branzi, Furniture for the Maggia Valley (early 20th c.) from Domestic Animals (pub. 1987)
dreyfacher hoellenzwang
blinded-with-desire: Alessandra Ambrosio in ‘Back to 90s! Linda Tribute’ by Sonia Szóstak for Vogue Greece September 2019 Stylist: Daniela Agnelli Hair: Cyril LaloueMakeup: Dariia Day
softpyramid: Lee FriendlanderSan Juan, Puerto Rico1979 gelatin silver print 11 x 14 inch
365filmsbyauroranocte: The Ghost and Mrs. Muir (Joseph L. Mankiewicz, 1947)
scumarchives: “I am haunted. All my dreams are nightmares.” — Susan Sontag, As Consciousness Is Harnessed to Flesh (via books-n-quotes)
amen69fashion: Maison Martin Margiela Artisanal, 2001
o.O
liquidsilverdiet: Syd Barrett (of Pink Floyd) trippin’.
5latt:
maisonmalala:Maison Martin Margiela
miss-catastrofes-naturales: Daido Moriyama Shinjuku Series
evengreaterstill: George Condo
vjeranski: Олександр Дем'яненко
midnight-charm: “Prom Queen” photographed by Ellen von Unwerth for Vogue Italia August 1994
ai9m:MIlla Jovovich by Juergen Teller for Strenesse fw97
petrole: maison martin margiela spring summer 1998
typodescript: ololygas: the song of achilles, madeline miller [ID text: Her mouth tightens. “Have you no more memories?” I am made of memories. end ID]
blood to me, dust to you
leoccasioni: Pictures from Virginia Woolf Monk’s House photograph album
kirsanof: Au pan coupé, Guy Gilles
thermonous: “Death will come, and she will have your eyes” — Cesare Pavese, from Death will come (tr. by Roberta Payne)
violentwavesofemotion: Chelsea Hodson, from Tonight I’m Someone Else: Essays; “The End Of Longing,”