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violentwavesofemotion: “My suffocating soul, unable any longer to fit within its cage of clay,” — Nikos Kazantzakis, tr. by P. A. Bien, from “Report To Greco,” publ. c. 1961
neoyorzapoteca: “I want to live each day for itself like a string of colored beads, and not kill the present by cutting it up in cruel little snippets to fit some desperate architectural draft for a taj mahal in the future.” — Sylvia Plath, The
chyene: Yeaaa baby
I wish I wanted to die
wishbzne: margaret atwood, ‘disembarking at quebec’ [ID: “I am a wordin a foreign language.” end ID]
lelaid:Olivier Theyskens F/W 1998
driflloon:bottega veneta fw07
raycastelo:Ray Castelo 2019
kitty-n-classe:Maison Martin Margiela SS 2007
romantic bitch
thecaftanclique: Joanne Burke belt
dcnstrctvsm
https://64.media.tumblr.com/6a2c3f5d0655bd020cdcb114a2a77ec0/tumblr_mocg6wsXUA1r2mttco1_500.jpg
glockmagazine: Glock 17L
bergmans-ghost: shebitesgodinthewrist: The last photograph of Laure (Colette Peignot), taken the day she died on 7 November 1938. Her last words: “It’s ravishing”, referring to a rose her lover Georges Bataille had given her. Bataille later wrote
violentwavesofemotion: Marcel Proustfrom a letter featured in his “Selected Letters,”
(via griznar, substrom)
bymessy: Sam Casper outtake for “Red as Love” shot by Cybelle Corwin
https://64.media.tumblr.com/tumblr_m4b6ueJ2DP1qc2yhso1_500.png
writingsforwinter: “Nothing ever ends poetically. It ends and we turn it into poetry. All that blood was never once beautiful. It was just red.” — Kait Rokowski
heavensickness:Look Back In Anger, John Osborne
bandtshirt: Comme des Garçons F/W 1988 campaign
heavensickness:Oh, don’t try and take his suffering away from him; he’s be lost without it.Look Back In Anger, John Osborne
thursdaysatthecafe: “Worry is a way to pretend that you have knowledge or control over what you don't―and it surprises me, even in myself, how much we prefer ugly scenarios to the pure unknown.” — Rebecca Solnit, A Field Guide to Getting Lost
365filmsbyauroranocte: A Streetcar Named Desire (Elia Kazan, 1951)
crastinating: “My God, my God, whose performance am I watching? How many people am I? Who am I? What is this space between myself and myself?” — Fernando Pessoa, from The Book of Disquiet (via luthienne)
ronaldcmerchant: the BRAIN (1962)
weltenwellen: Jeanette Winterson, Lighthousekeeping
salemwitchtrials:‘Agamemnon,’ Aeschylus (translated by Anne Carson)
almavio: Richard Avedon (1923 - 2004), Black Cat, Paris, 1948
The Cracovian Dispatch
kreativekopf: 55 DSL in Dazed, vol 2, Issue 36 April 2006
theworldisquotablehere: “There is a radiant beauty in the night that touches and… tortures me.” — “Kabnis,“ Cane, by Jean Toomer
ortut: Yuko Oda - The Unbearable Lightness and Heaviness of Being(3D printed plastic)
sonnywortzik: Anne Sexton / Thomas Eakins
themacabrenbold:Black Cat, 1945 by Brassai
vampireapologist-archive-deacti:Submitting myself to the terrifying ordeal of hope
lifeinpoetry: Ilove her in the way a frightened deer will lock its knees & not move again. Even if that means burning alive. — Topaz Winters, from “Infernal / Inferno,” Portrait of My Body as a Crime I’m Still Committing
wahnwitzig: Prunk-Charivari, süddeutsch, 19./20. Jhdt Konisch verlaufende, schwere Silberkette mit seitlichen Karabinerverschlüssen sowie zwei rs. mit Haken versehenen Münzen. Anhängend über 40, größtenteils in Silber gefasste Teile. Darunter
nemfrog: “Human heads, masques, lion heads.” Architectural and decorative plaster ornaments. 1929. Internet Archive
satiemoon:Salvador Dali: Allegory The Chevalier ’s Proposal.
truckprints: ‘The First Elegy’ Etching with Aquatint From ‘Mummy What’s a Goat Girl?’ An Exploration into Alchemy and Mutation as a result of occult practices. Andrew Magee 2005 - Present
almavio: Jiří Všetečka (1937 - 2016), Untitled, 1980s
theroamer: “The emphasis on the violent gesture in post-war abstract painting culminated in Saint Phalle’s Shooting Pictures. She filled polythene bags with paint and enclosed them within layers of plaster against a blockboard backing. Spectators
66lanvin: When MARGIELA was MARGIELA………No.10
somepiecesofmyheartandsoul: “And if you are going to stay, then stay for the rest of your life.“ – L.W.
laetitia-casta: Laetitia Casta by Dominique Issermann for Guess - 1997
goodreadss: “— I’m in pain all the time. — Where? — Inside. I can’t explain it.” — Clarice Lispector, The Hour Of The Star
archivings: Shinichiro Arakawa Fall/Winter 1999
lukasschwering: the belgians runway of time
helmut-lang-archive: Helmut Lang, ss 1994
house-of-moods:Douglas Utter
junipersuction:“Blouson De Cuir", New York, 1979 polaroid by Edo Bertoglio
ankosv:maison martin margiela spring summer 1999
Albandari
https://64.media.tumblr.com/d1f2b96f76ea5edf426a3b63c31be026/tumblr_oqt8v8O8YS1qzjlfro1_500.jpg
spring2000: “Yohji Yamamoto : Talking to Myself”F/W 1995
matthewmaldoror:Yohji Yamamoto perfume, 2019.
MOR·BID