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mauveflwrs: Günther Uecker - Riß (Rupture) (1986)
Sem título
22ackermann:SHADES of GREY……………No.1
screenshotsofdespair:
365filmsbyauroranocte: Ganja & Hess (Bill Gunn, 1973)
aqqindex: Eugene von Bruenchenhein
historyarchaeologyartefacts: Sword (96,5 cm: Ivory and steel), Netherlands second half of 17th c.[1157x2000]. Hilt of this sword depicts the rescue of Andromeda by Perseus
suicidal-dreamsx: I destroyed myself for a peace of mind I never got.
thegreatinthesmall: Mark Morrisroe from Mark Dirt, 2013
finita–la–commedia: “The best way to keep your word is never to give it.” — Napoleon Bonaparte (1769-1821), from “Aphorisms and Thoughts”, selected by Honoré de Balzac, translated from the French by Charles D. Zorn
jinxproof: ph. Satoshi Saikusa
werkaetzchen: Blixa Bargeld
whenthecuriousgirl: Ian McCulloch of Echo & the Bunnymen
philomena-famulok: ©Philomena Famulok
https://64.media.tumblr.com/tumblr_memqgdgif41rjjbf7o1_500.jpg
https://64.media.tumblr.com/872bfc4c536daf06bf6cd18c3721be5e/tumblr_o23sx9iL9r1u24eqjo1_500.jpg
new injuries
cyberianpunks: natural history of the void
lnbred: In reality I’m still emo and 12
vansmirren: O037 -2013-
rawforms:ofobsessivenature
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oglaighnaheireann:IRA gunman during a march in 1979
https://64.media.tumblr.com/ab62b4916cfd2112238fbf054f45e08a/tumblr_pi5dqxZLqg1qg0feko1_500.jpg
tmblrfetishism:
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sesiondemadrugada: In the Mood for Love (Wong Kar-wai, 2000).
eatsleepdraw: “House on Small Mountain” by Nate Armstrong
lettbeme:
365filmsbyauroranocte: Il demonio (Brunello Rondi, 1963)
britishstageandscreen: The Lodger (1927)
ankosv: comme des garçons fall winter 1990/91
lennuieternel: “The main thing, when a sword cuts into one’s soul, is to keep a calm gaze, lose no blood, accept the coldness of the sword with the coldness of a stone. By means of the stab, after the stab, become invulnerable.” — Franz Kafka,
mythaelogy: “so I may be replaced / by a machine / which in its violence / behaves / more like me” — Camille Rankine, “Necessity Defense of Instutional Memory” from Incorrect Merciful Impulses
yama-bato2: ©yama-bato
uvre: Fears, Louise Bourgeois, 1992.
backk-to-backk:
marasoul:Juliette Binoche & Jeremy Irons by Michel Comte
sakrogoat: Agostino Arrivabene - Immutatio
ink-the-artist: Inktober day 4 “freeze”
Несвето време у Балканској Цркви
luthienne: “You must understand, Knife-of-my-heart, how the thing that changed me takes the mind as well as the body, how it swallows up everything into itself.” — Catherynne M. Valente, The Orphan’s Tales: In the Night Garden
∙anin∙
a-place-of-worship: Unknown // Henrik Purienne
freshmoviequotes: The Fire Within (1963)
slickcrust: @saiwsaiwsaiw
violentwavesofemotion: “– but I loved terrible places,” — Mary Rose O’Reilley, from Half Wild: Poems of M. R. O.; “Persephone,”
Gateways ov Flesh
jareckiworld:Tala Madani - The Guest (oil on linen, 2018)
♱
modedamour:Christopher Esber
memoryslandscape: I remember one day I began to suspect I was a minor character in my own story after years of believing I was in the lead – I remember how I didn’t want to be myself for a while or be by myself, for being me was lonely even when I
ankosv: issey miyake making things exhibition, paris 1998
desimonewayland: A pair of very large English grotto chairs, late 19th or early 20th C. via: Christie’s
the sorrow of things
The Silver Globe
rudygodinez:Farah Willem, Who Seeks the Infinite One Has Only to Close the Eyes, (2014)
helllandhoney: “Consume my heart away;” — W.B. Yeats, from The Collected Poems; “Sailing to Byzantium,” (via violentwavesofemotion)
![historyarchaeologyartefacts: Sword (96,5 cm: Ivory and steel), Netherlands second half of 17th c.[1157x2000]. Hilt of this sword depicts the rescue of Andromeda by Perseus](https://40.media.tumblr.com/83b0c6d41e1e4116621bab6df9ac3a59/tumblr_pz8rgt72gx1vx1np0o1_250.jpg)
