Sticky Fingers (amused-itself-to-death.tumblr.com)
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※ ḛ̂̑ñʝɵʏ̇̇ ɱ͋ʏ͌ ɓ͈ɬo̟̽ɠ̈̈̈̽ ※
legendarytragedynacho:Ian Curtis - Joy Division
lavendeuse
zzzze: Ugo MULAS (1928-1973) The American artist Jim DINE at work 1968 Gelatin silver print.
vssfu:
metamorphesque: ― Haruki Murakami, Kafka on the Shore[text ID: Silence, I discover, is something you can actually hear.]
jinxproof: Jaime King | ph. Nan Goldin© Nan Goldin
jinxproof: © Mark Borthwick
alfiusdebux: Bob May. Looking for evidence by recombiner on Flickr.
thnkfilm: “The down side of coming off junk was that I knew I would need to mix with my friends again in a state of full consciousness. It was awful. They reminded me so much of myself I could hardly bear to look at them.”Trainspotting (1996)dir.
ronnie-woody:
metamorphesque:— Sylvia Plath, The Journals of Sylvia Plath[text ID: Outside it is warm and blue and April.]
depist:Red Hot Chili Peppers photographed in LA // 1991
aesthetic-lly: victimtosociety: 140615 lost
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gernot-schwarz:Gernot Schwarz Photography - Intermezzo - Ruhrort
artandchocolate:Art of Style: Jean Cocteau
papermountainwoman:old saigon - life magazine 1961
theunderestimator-2: Rehearsal time for Destroy All Monsters back in late spring ‘77 in their hometown of Ann Arbor (former MC5 bassist Michael Davis, former Stooges guitarist Ron Asheton and Niagara in vocals), as captured by Sue Rynski.(via)
dallydewdrop:
sonofmeatthawsmoth: “Actually, there is no Hollywood any longer. It’s become a kaleidoscope of meaningless ectoplasms which abound between reality and the unreality.” — Ed Wood, Hollywood Rat Race
sp4rklejumpropequ33n:
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modedamour: via charlottetaylr
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playburo: Lena C Emery
playburo: AURALEE x New Balance
disease: “DRUNK TANK” (LOS ANGELES)WEEGEE // circa 1950[gelatin silver print | 7 ¼ x 9 1/4″]
yama-bato2: ©yama-bato
lafilleblanc: Astor Milan SalcedoOverpainted photographyDiana Lakeprev post here
lafilleblanc: Douglas Gordon“back and forth and forth and back", 2017 @ Gagosian, New York till februari, 2008“If you want to find the truth in something, take it apart piece by piece, then put it back together with the detail of a forensic
nicoonmars: Bill Bollinger Screen,1969
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keyframedaily: Frank Sinatra on the set of The Man with the Golden Arm (1955). Photo by Bob Willoughby.
da-da-sk: “You must be vulnerable to be sensitive to reality. And to me being vulnerable is just another way of saying that one has nothing more to lose.”
birdasaurus: https://www.instagram.com/myhrt.art/
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disease: “HANDS READING BRAILLE”IMOGEN CUNNINGHAM // 1933[gelatin silver print | 7 ¼ × 9 3/4″]
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rhubarbes: Robert Pattinson behind the scenes of The Batman as Bruce Wayne
le-immorte: Cr: Swan Lake by Tchaikovsky (my personal favorite) for this visual art project by photographer Vladimir Glynin and stylist Vadim Galaganov.
nico-paffgen: Lou Reed by Andy Warhol, 1966
geminiscene: by hedi slimane
nontemporary: 2021 10 26 1254.jpg
filmaticbby: Blue Is the Warmest Colour (2013)dir. Abdellatif Kechiche
nontemporary:2021 10 25 1351.jpg
actuallyimnotfalling: Gérard DuBois
Kaldren Coma
sightly cellar
flashybreathing: no mercy
mltdesigns: late night odyssey : cover art for a spotify playlist / https://open.spotify.com/playlist/1iTumnU3dbHCeVFJxsVKHe?si=6f6f8c9b45594f36
you are the sun
urbnite
Innamoramento
derangedrhythms:You were, when I met you, both things for me: the sensuous and the spiritual. That can never come asunder…Paul Celan in a letter to Ingeborg Bachmann, quoted in ‘The Correspondence of Ingeborg Bachmann and Paul Celan’
Atelier des feux.
spiritsdancinginthenight: Late Period, 600 BC, Saqqara, Egypt.
nobrashfestivity: Gerhard Richter, 1966