Sticky Fingers (amused-itself-to-death.tumblr.com)
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eklektekos:video by Charlotte Prodger 2012, NY Usa
markmcevoy:Scary monsters (and super creeps)
cinematapestry:Persona (1966) dir. Ingmar Bergman
Sticky Fingers
Teenage Dirt Stache
americaisdead:whittier, california.august 2022© tag christof
leirelatent: “Sister of pearl”, Mira Nedyalkova
projectism:Josef Winkler
protobibliothecarius: Cool Readers #31: Tom Waits, reading “Last Exit to Brooklyn” (Selby)
henk-heijmans:The eye of love, lying nude, Paris, 1952 - by René Groebli (1927), Swiss
beyond-the-pale: dorian pasca and eugi pasca by Pasquale Autorino
thunderstruck9:Jogen Chowdhury (Indian, b. 1939), Wounded, 2005. Watercolour on paper, 19.6 x 27.2 in.
animapsique:“I don’t think I’m easy to talk about. I’ve got a very irregular head. And I’m not anything that you think I am anyway.”Syd Barrett
bluesrocknrollinstones:Glimmer Twins at a cafe , 1964Photo by John Hoppy Hopkins
vintagerocker69:Photograph of Keith Richards backstage in the tuning room during the 1975 Tour of the Americas. Which took in 46 shows from 1st June to 8th of August 1975.©Christopher Sykes
blessed
victormalonso:“Having a bunch of cats around is good, if you’re feeling bad, you just look at the cats, you’ll feel better, because they know that everything is, just as it is. There’s nothing to get excited about. They just know. They’re saviours.
jeffbuckleyforever:Jeff Buckley by Bruce Weber
browersbody:Lou Reed photographed by Stephen Shore, 1966.
LAKESHORE LIVING
archivings:backstage at Isabel Marant Spring/Summer 2000
quotemadness: “To exist is to change, to change is to mature, to mature is to go on creating oneself endlessly.” — Henri Bergson
schibborasso: Francis Bacon studioview
istmos: [topografias]
migueltriano: Encants ‘19
migueltriano: Daniel. Barcelona ´19
disorienteddreams: Fängelse (Ingmar Bergman, 1949)
blackswaneuroparedux:Cedit item retro, de terra quod fuit ante, in terras.- LucretiusWhat once sprung from earth sinks back into the earth.
krizantema: Dead Man (1995) by Jim Jarmusch
orwell: Žydėjimas, Blossom (1974–1984)
last-picture-show: Moritz Nähr, Atelier Gustav Klimt, Feldmühlgasse, Wien, 1918
fafra:by Faber Franco
theorangepdf:getting that august feeling (things that have ended endlessly are ending again)
groupcritpowerdynamics:Morningstar
twcgentleman13: “What do I love most about you? You make me laugh. God, you make me laugh. And I don’t mean a little chuckle or titter or giggle or snort. I mean the kind of laugh that commands and consumes you. The sort that booms and bellows and
lolaveda: Maryam Nassir Zadeh
istmos: Sound waves, given off by a vibrating steel disk and made visible in a photograph, produce a strikingly mandala-like pattern from “Man and His Symbols” by Carl G. Jung, p. 305, Anchor Press, ed. 1988
ohyesjohncale: John Cale and David Byrne at the Ocean Club, 1976.Here’s another one: Photo by Michael Putland
funstealer: The Viridi Anne F/W07Photographed by Aram Dikiciyan
prettyfuul: https://www.instagram.com/p/CY4loPbIyNc/
derangedrhythms: Robert Lowell, Lizzie and Harriet; from ‘Obit’
akihitotakuma: Akihito Takuma, op684, oil on canvas, 2021
forhandsthatsuffer:Natural Born Killers (1994), dir. Oliver Stone
na-020:
https://64.media.tumblr.com/tumblr_m7l9e3rkCn1qehxqmo1_500.jpg
stuckinapril:life is for taking therapeutic walks and being in your own bubble and reading books in bed and drinking iced beverages and eating fruit and gaining new experiences and dosing in sunlight and finding love in everything and not letting guilt
migueltriano: Pau. Barcelona ‘19
theegoist: David Larwill (Australian, 1956-2011) - Big Storm - Grid City IV, gouache on paper, 119.0 x 85.0 cm (1993)
andredwagner:des, chicago 2013