Sticky Fingers (amused-itself-to-death.tumblr.com)
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nobrashfestivity: Hans Bellmer Corset
nocountryforlesbians:head not empty, many abstract uncommunicatable thoughts
ellos444:
birdasaurus:Jenni Kayne
irenelichtensteinblog: Willow Gray
nobrashfestivity: Harald SohlbergMoonlight, 1912
nxsrxineee:People of the Twenty-First CenturyHans Eijkelboom, David Carrier
bakwaaas:oh godcr: @honeytuesday
abridurif: Bruce Nauman, Light Trap for Henry Moore N°1, 1967
sixteensaltines: Contrapposto Studies, I through VII, 2015-2016. HD video installation (color, stereo sound, continuous play). Jointly owned by Pinault Collection and the Philadelphia Museum of Art. Funding for the Philadelphia Museum of Art is made
dasswerke:
dasswerke:Christine Espinal, Mexico City, 2022.
dasswerke:Steve Porcaro with Modular Synth, 1982.
dasswerke: Morning.
dasswerke: Saab 900 Turbo “Silver Beast”
dasswerke: Ward Bennett, Designer at Herman Miller, 1917-2003.
frachella: du__ciel
nobrashfestivity: Sol Lewitt, Old paperback book scan
uconstruction:Léonard Misonne (1870-1943 Belgian), Sur la Glace, 1908
purgingdistance:94 x76 cm ink and tape on paper Vincent Hawkins
nemfrog:Fig. 15. Wire fortification. Notes on field fortifications. 1914.Internet Archive
garadinervi: Gianni Colombo, Spazio elastico, ambiente, 1967-1968
bocekcicek: Franco Velastiqui
newloverofbeauty: Nan Goldin (2006)
thunderstruck9:Michael Leonard (British, b. 1933), Untitled, 1977. Coloured pencil, 21 x 29.5 cm.
analogwerk: “People are so fucking dumb. Nobody reads anymore, nobody goes out and looks and explores the society and culture they were brought up in. People have attention spans of five seconds and as much depth as a glass of water.”– David
uconstruction:Nell Dorr (1895-1988 American), Mother & Child, New York, 1954
nobrashfestivity: Alvin Dickstein, 1960s
BLACK HOODY
M a l a g a s y
baddreamland: Woman In The Dunes (1964)
DATELINE PENTAGONS
skaterinvader:
embarrassinglovesong:
attropin:Trees in Fog, Chile, 1939 by John Swope
bushakiye:
dolerme:photo by eugenio a. schulz for pnpplzine.com
replanting:from the inhabit manifesto
asalvadorsala: Dansa de l’afusellament, 1966 #GonçalSobrerhttps://www.instagram.com/p/CbP-Vl1tsZa/?utm_medium=tumblr
garadinervi: François Dufrêne, Ancre lassée, (bottom of posters mounted on canvas), 1971 [Private Collection. © François Dufrêne]
theoptia:Simone de Beauvoir, from Diary of a Philosophy Student: Volume 2, 1928-9; Monday, November 5Text ID: —I have so much love in me that I would like to cry;
GAF
system2: Ph. Willy Vanderperre. i-D March 2003, The Beach Issue.
nobrashfestivity: Cy Twombly, Polaroid
las-microfisuras: Eva Besnyö.
centuriespast:Mary Wollstonecraft Shelley (1797–1851), Frankenstein, manuscript, MS. Abinger c.56, fols. 20v – 21r, 1816 – 1817. The Bodleian Libraries, University of Oxford.
da-da-sk: © da-da-sk
jinxproof:Kate Moss | ph. Drew Jarrett© Drew Jarrett
sunjongpyo: Bruce Nauman
dasswerke:Kali Malone.
dasswerke: Markus Klinko, Bowie Smoking, 2002.
dasswerke: The Ridgehouse’s Bushwick loft.
disease: “PERFORMANCE CORRIDOR”BRUCE NAUMAN // 1969[wallboard and wood | 8′ x 20′ x 1′ 8″]
nobrashfestivity: Bruce NaumanUntitled (Green)
8
neckkiss: Into the Wild (2007)
jordi-gali: Ernest Trova
thunderstruck9: Abby Leigh (American, b. 1948), Everyone was Migrating Somewhere, 2020. Oil on Dibond that has been scraped, sanded, axed and sledgehammered, 50 x 66 in.
![garadinervi: François Dufrêne, Ancre lassée, (bottom of posters mounted on canvas), 1971 [Private Collection. © François Dufrêne]](https://40.media.tumblr.com/80e5e2e5786c46f000c027692f7890a3/46f32527bd78b052-79/s500x750/f9ff5a9241531750ebf1f71ac2619cb4432726f5.jpg)
![disease: “PERFORMANCE CORRIDOR”BRUCE NAUMAN // 1969[wallboard and wood | 8′ x 20′ x 1′ 8″]](https://69.media.tumblr.com/296017b1b417975c57f02d608c47e66e/2c746b15368224c1-74/s500x750/dc69e086e48aeacdea1eba0f2a79f98cc255e848.jpg)
