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b22-design: Escada principal da residência Fernando Millan Paulo Mendes da Rocha - 1970-1974 - photo: Jorge Hirata
vuls: Germán Cabrera Paralelas, ca., 1963
Craicte
g-vnct: humns.png
treeknot: Marc Nagtzaam Fall - Out, 2005Graphite on paper69.7 x 46.7 cm
unavidamoderna: Puerta, Plaza de Las Fuentes, Jardines del Pedregal, México DF 1949 Arq. Luis Barragán Foto. Armando Salas Portugal Gate, Plaza de las Fuentes, Gardens of Pedregal, Mexico CIty 1949
regardintemporel: Hans Hartung (1904-1989) - Abstrakte Komposition
meekiyelvvoh: COMME des GARCONS SS09
contemporary-drawing: Richard Serra, N°91983 - 1984Painstick (cire, noir d’ivoire et huile) sur papier agrafé sur contre-plaqué203 x 278,5 cm
arkiiv: EDUARDO SOUTO DE MOURA COURTYARD HOUSES
twoism13: Model in Rick Owens, photograph by Clement Louis
カオス
_ l e t ' s r o a m
yesmaybe: Bronze scissors. Korea. 10-14th century.
lapitiedangereuse: Klimt’s studio with the last paintings he was working on. Vienna.
myarmisnotalilactree: Berlinde De Bruyckere
all the best
zolotoivek: Kazimir Malevich on his deathbed, surrounded by his works, 1935.
elarafritzenwalden: Casa Mendiz,Vilanova i la Geltrú, Spain; 1924Josep Francesc Ràfols
thetentaclesoflife: Arthur Hent - Grafik.39
sketchofthepast: Virginia Woolf’s bed in Monk’s House and Susan Sontag’s grave in Montparnasse Cemetery by Patti Smith.
https://69.media.tumblr.com/759580792c6ed67311f012b982768b28/tumblr_nh313vhiKI1qzniz1o1_500.jpg
dromik: Ivana Franke - Introducing gaps, 2008.
theleoisallinthemind: Nathalie du Pasquier
timeimmemorial: Henry Wessel, Kitchen, 1987
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continuo-docs: Esther Ferrer - Canon para 4 sillas, 1 mesa y 1 ventilator (Canon for chairs, table and fan) The performances of Fluxus artist Esther Ferrer, a former member of Zaj performance group, are always extremely precise and based on neatly precon
weissesrauschen: tresviri: Tresviri, Observe and Learn. by materialsleuth on Flickr.
baptisedinblackwater: from the series “The shameless and terrifying beauty of nature” Max Kuiper
germanpostwarmodern: Gymnasium (1951) in Aix-en-Provence, France, by Fernand Pouillon
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kadist: Stills from Anthony McCall’s Landscape for White Squares, 1972. via kirstenharkonen
crooks-lovers: James Collins
vse-tvoe-moe: H. Armstrong Roberts
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rudygodinez: Bradley Fulton, Abandoned Truck Stop, Coaldale, Nevada, (2010)
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softpyramid: Warlimpirrnga TjapaltjarriUntitled, 2012
https://69.media.tumblr.com/cc9642bde711c6023f619b334a3f526d/tumblr_nggfguZtEu1qifn2ao1_500.jpg
aplaus: x
bevare: Chris Johanson
enskog: Friederike von Rauch - Gräbersaal 4, 2008
gallowhill: Alighiero e Boetti - Writing With Both Hands, 1970
https://69.media.tumblr.com/a04fc81692ff5fd0966a47e0fe4605cf/tumblr_nc1vw1Y0pE1sntp77o1_500.jpg
thenewobjective: “@jar_moff: /\/// http://we.tl/dIjIAr6OrT ” FNCL TRLGY After showing off his talents at noisey sp404 sound collage with records on LEAVING and PAN, Athen’s Jar Moff completes his rumorous ruminations on financial capitalism with
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vivipiuomeno: Gregorz Kowalski, visual artist - Could you and/or would you like to turn into an animal series, 1978
https://69.media.tumblr.com/tumblr_lrhpb6CHhD1qbaqhwo1_500.jpg
christian-hetzel: CHRISTIAN HETZEL
uvre: Untitled, Ian Law, 2014.
untrustyou: Ibis Cerimagic
Hanne Darboven - One Hundred Books 00-99 - 1970
rudygodinez: Rudy/Godinez, Smoke 1&2, (2013)
nevver: I read the news today, oh boy.
