(mraudr.tumblr.com)
submit your pics
https://64.media.tumblr.com/f752fdbf7a6c4c575b5938940d024242/f7edb4d90b9d583e-43/s512x512u_c1/21b2cb11be37015a62210ec444f4e0ea051d4a6e.jpg
xo-skeleton: Július Koller, Universal Futurological Question Mark (U.F.O.), 1978
➰
elickmenow: /edit/ from Magdalena Wosinska - Muddy dayz
thinkingimages: Studio di Robert Rauschenberg, New York, 1964. (bron: Artsy, foto’s: Ugo Mulas)
blackcontemporaryart: Robert BurnierTera Desegna, 2014 Copper, Rubber 41 x 41 x 4 in.
takca: anni jurgenson by an le for odda #7
deathandmysticism: Francis Frith, Bent Pyramid of Sneferu, 1857
soyymilk: skt4ng: RAD Hourani Unisex Ready to Wear Collection #6 hourani is a genius
uvre: Stefan Brüggemann, 2010.
nicecleanwhite: Backstage at Orley ss ‘15 x Eric White
pallacsch-deactivated20150119: Zehartu - Eduardo Chillida (1973)
mpdrolet: Joey Harrison
vjeranski: RASGUNARIO Tomás Espina
architiculation: Richard Serra, Strike to Roberta and Rudy
euo: Olivia Loucher
aphexual: Alicia Frankovich Orpheus, 2010Aluminium, egg tray, eggs
minamata: Hermann Nitsch - 47. Azione
vjeranski: “Language Is Not Transparent”, 1969 Mel Bochn
asolitarycomfort: Helena Almeida
de-salva: Kawa = Flow #1594 (2010.) © Masao Yamamoto
felineillusion: Top: Ida / 2013 / dir. Pawel Pawlikowski Bottom: Mother Joan of the Angels (Matka Joanna od aniolów) / 1961 / dir. Jerzy Kawalerowicz
Relativity
infinitetext: Philippe Garrel, Frontier of the Dawn, 2008.
fw1991: By Richard Serra
random-research: Matt II / Emily Campbell 1992 / Whitechapel Gallery
uvre: Ink Pod Grease Pot, Morten Norbye Halvorsen, 2011.
dromik: Jessica Center — Broken glasses,2006.
dromik: Geometry in white by tommpouce.
aqqindex: Lawrence Weiner, Cat. No. 238, 1970
humanoidhistory: A mausoleum in the ancient city of Tus, Iran, photo by Ernst Herzfeld (1879-1948). (Possibly Mongol? And has it been restored? See here and here.) (Smithsonian)
melachalent: photos of sculptures at the louvre in france
dromik: Fred Sandback — Four Variations of Two Diagonal Lines 1976.
paintdeath: Mona Hatoum, Patrick Gilbert - Performance Still 1985/1995
Considine
shuitsang: Rick Owens, Tokyo
Rotten Body
https://64.media.tumblr.com/d958d236f93ec35391b42d39025056ee/73168dbffd0c648d-5d/s512x512u_c1/2d3060cef140fa06dfe294a3b8b4c4206690db02.jpg
beileid: Exhibition Perspectives of Conceptualism. Club of the Avantgardists (KLAVA), Moscow 1989
1109-83: Florian Slotawa Top: Hotel Inter-Continental, Leipzig, Zimmer 2116, Nacht zum 12. Dez. 1999Bottom: Hotel Lux, Grenoble, Zimmer 53, Nacht zum 10. Januar 1999
berndwuersching: Hiroko NakajimaConfluence d, 2012acrylic on canvas50 x 50 cm
miami vices
zatracený
semioticapocalypse: Petros Kotzabasis. 2012 [::SemAp FB || SemAp::]
https://64.media.tumblr.com/a6f92babeaa41d542b256132a95a129e/tumblr_n0qkviQMTY1syn9w4o1_500.jpg
omyt: Lobotomy
2000-lightyearsfromhome: Raymond Moore, Workington, 1976
A
https://64.media.tumblr.com/avatar_2e760e18eff7_512.png
nyctaeus: Olafur Eliasson, ‘Your Sun Machine’, 1997 “Many of Eliasson’s works explore the relationship between the spectator and object. In Your Sun Machine 1997 viewers entered a room which was empty apart from a large circular hole punctured
stoneponi: Lloyd Cole // Bad Vibes - photograph - David Sims
Csilla Klenyánszki
fiore-rosso: christian coigny | still life series.
Yves Klein, Le Vide, Iris Clert Gallery, Paris 1958 “Il peint en blanc une pièce qu’il a préalablement entièrement vidée. Dans ce temple monochrome, le spectateur, contraint à une attitude contemplative, se trouve comme immergé dans la
facepalminmovies: Coeur fidèle (Jean Epstein, 1923)
MOR·BID
uvre: Untitled, Josh Tonsfeldt, 2011.
eireeckah:
![semioticapocalypse: Petros Kotzabasis. 2012 [::SemAp FB || SemAp::]](https://40.media.tumblr.com/896bb57ce92c44c5236fc477d19973c6/tumblr_ngbmk3ePjU1qz4txfo1_250.jpg)
