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gypsji: The Dark Woman, Philippe Berthier
museumuesum: Lee Friedlander California, 1997 Gelatin silver print, 14 15/16 x 14 13/16 inches
artmastered: Paul Gauguin, The Red Cow, 1889
hadrian6: The Fall of Phaeton. 17th.century. Jan Eyck. Flemish. 1612-1668. oil on canvas. Prado Museum. http://hadrian6.tumblr.com
Theodore Gericault, The Epsom Derby, 1821
artauthority: Whistlejacket by George Stubbs, ca. 1762. (The National Gallery, London, UK) Oil on canvas. Animal portraiture, particularly featuring horses and dogs, was quite a popular genre amongst English aristocrats since the seventeenth century.
bofransson: Monhegan Island, Maine Robert Henri - 1911
bofransson: VUILLARD Edouard / Sous la lampe
archives-dada: Hannah Höch, Imaginäre Brücke [Imaginary Bride], (Zwei Köpfe [Two Head], 1926, oil on canvas, 65,5 x 72,5 cm, © Hannah Höch. Licensed by Bild-Kunst & VISCOPY, Australia
akirayoda: Pierre Mornet
peira: Paul Gauguin: An Orchard under the Church of Bihorel (1884) via Museo Thyssen-Bornemisza
poboh: Flower of Life, 1926, Rockwell Kent. (1882 - 1971)
museumuesum: Charles Sheeler River Rouge Plant, 1932 Oil on canvas, 20 × 24 1/8 in.
poplifeplus: Otto Dix . Autoritratto con garofano . 1912 .
thegetty: auspiciousplatypus: Mary Magdalene Raised by Angels. Anonymous (Gdańsk), circa 1430 National Museum in Warsaw. The graphic patterned background, fierce Mary Magdalene body suit, and detailed angels with awesome individual expressions, tell
theredhairing: La Scala, Milan, 1932.
rjtyler: FONTANA, Lavinia Italian painter (b. 1552, Bologna, d. 1614, Roma) Portrait of a Newborn in a Cradle c. 1583 Oil on canvas, 113 x 126 cm Pinacoteca Nazionale, Bologna The aristocratic child is depicted in a precious cradle finely inlaid with
poison-empire: George Villiers (1592–1628), 1st Duke of Buckingham
classic-art: Behind the Scenes Gillis Hafström
colourthysoul: Alfred Roll - Retour du bal
bofransson: Forest Path in the Black Forest Max Beckmann - 1936
walzerjahrhundert: William Brymner, The Picture Book, 1898
bofransson: The Cloud Max Beckmann - 1934
plathian: The Degas Dancers What is so extraordinary about Degas is his ability to deconstruct the beauty of dance to its core. Among his pieces that capture motion and grace, there are those which highlight the inevitable aching that comes along with
shear-in-spuh-rey-shuhn: EDWARD SEAGOHillside Houses, PonzaOil on Board26" x 36"
paperimages: Judith Peck
maertyrer: Tizian - Das Martyrium des Hl. Laurentius
Jack Beal (1931…)
artmastered: Salvator Rosa, Philosophy, c.1645 The painting shows an openly challenging and brooding character, which is underlined by the Latin inscription on the stone, lower left, below the right hand of the painter: ‘Be quiet, unless your speech
thesavagesgallery: Asger Jorn (1914-1973) Le Bon Sauvage, 1969.
arsvitaest: “Woodpecker” tapestry [detail] Designer: William Morris (English, 1834-1896)Date: 1885 The Woodpecker tapestry by William Morris is very often seen in a special light by many Morris fans, as it was a decorative piece that was
currentsinbiology: Low levels of toxic proteins linked to brain diseases, study suggests Neurodegenerative diseases such as Alzheimer’s could be better understood thanks to insight into proteins linked to such conditions, a study suggests. Scientists
thusreluctant: Lifting Fog, Laguna by Guy Rose
arthistoryeveryday: Corridor in the Asylum by Vincent van Gogh (1889)
lyghtmylife: FERENCZY, Károly Hungarian painter (b. 1862, Wien, d. 1917, Budapest) Adam1894-95Oil on canvas, 259 x 164 cmMagyar Nemzeti Galéria, Budapest
lukewinter-inspirations: Felix Vallotton, Naked Women Two Cats, 1898.
zeezrom: The White Feather - Henri Matisse
art-and-dream: Artist painter English . John Constable 1776 – 1837 Romantic painter landscape Barges on the Stour with Dedham Church in the Distance, 1811
poboh: Three Figures, 1960, Keith Vaughan. English (1912 - 1977)
soyouthinkyoucansee: Honey moon, Luna de miel Juan-carlos-Boveri
soyouthinkyoucansee:
theories-of: Werner Büttner, Die Probleme des Minigolfs in der europäischen Malerei Nr. 4, 1982, Oil on canvas, 150 x 120 cm
laveneredissepolta: Giulio Aristide Sartorio
centuriespast: Toy cart C. 2500 B.C. Place of Origin: Harappa The National Museum, India.
Lluis Barba, Las Hilanderas (after Velazquez) http://www.galeriasicart.com/?portfolio=lluis-barba
Diego Velàzquez, Las Hilanderas (The fable of Arachne or The Spinners)
great-concavity: Soutine Street - Chaim Soutine Street scene in Vilnius, Lithuania
peira: Giorgio Morandi: Still Life (1949)
art-is-art-is-art: Keelmen Heaving in Coals by Moonlight, Joseph Mallord William Turner
toinelikesart: ‘Flight of the Witches’, 1797-98 Francisco de Goya
lyghtmylife: CAFFIÉRI, Jean-Jacques French sculptor (b. 1725, Paris, d. 1792, Paris) Molière1787Marble, height 166 cmComédie-Française, Paris
goodolarthistory: Artist: Gustav Callibotte Title: The House Painter Gustave Caillebotte
peira: Titian (Tiziano Vecellio): Crucifixion (c.1555) via Wikipaintings
actegratuit: long walks on the beach, Jesse Treece
paperimages: Kārlis Vītols
arsvitaest: “‘I am half-sick of shadows,’ said the Lady of Shalott" Author: John William Waterhouse (English, 1849-1917)Date: 1915Medium: Oil on canvasLocation: Art Gallery of OntarioThe Lady of Shalott is a Victorian ballad by the English
bofransson: Sarah Bee
I sympathize with you and I understand your desperation, but the next time be sure that the clock is water-resistant
Neuroscience: New mechanism for human gene expression discovered
necspenecmetu: Giulia Lama, Saturn Devouring His Children, c. 1735 la posa e il gesto, quella loro intrinseca dinamicità che conduce necessariamente all'istante successivo dell'azione è così drammaticamente, orribilmente reale da fare accapponare