The gilded shell (climacus.tumblr.com)
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gypsji: Birken Friedrich Behrens 1899
paintingispoetry: Angelica Kauffmann, Self Portrait detail, 1787
mucholderthen: K. OkamuraIcones of Japanese algae. v.2Tokyo [1901-1912] BioDivLibrary n207_w1150, n19_w1150, n139_w1150
canvasobsession-deactivated2013: Marc Chagall
theartgeeks: Nude I ~ Edvard Munch
Madonna and Child with Angels and St Jerome (Madonna of the Long Neck) ~Parmigianino c. 1534 to 1540 Oil on panel 220 x 130 cm Galleria degli Uffizi , Florence, Tuscany, Italy la mia espressione mentre osservo il Cristo bambino è quella
lafregna: IMG_1307 by Oleg Andreev photography http://flic.kr/p/f3kNyF peccato per il bianco e nero, non lo sopporto il bianco e nero.
colourthysoul: Mikalojus Ciurlionis - Vision (1905)
ryandonato: Between 2003 and 2006, French conceptual artist Philippe Ramette created a series of gravity-defying photographs that show him in seemingly impossible poses. These illusions were not created digitally as Ramette explains to The Guardian in
toinelikesart: art by WENDY ELIA 2009 - Separation freudian.
endlessquestion: Edgar Degas - Peasant Girls Bathing in the Sea at Dusk, 1875
bestiario: Dubuffet, masque e marionetta di Lili (1936)Dubuffet e futura moglie Lili (1935) Dubuffet, masks and a puppet representing his future wife Lili (1936)Dubuffet and Lili (1935) (scusa la pessima traduzione inglese, Bestiario, ma dei quattro
bofransson: Camiers Landscape Andre Derain - 1911
renaissance-art: Domenico Ghirlandaio c. 1483-1485 Resurrection of the Boy (detail)
thusreluctant: Brooklyn Bridge by Henry Ward Ranger
lobster claw (heliconia)
Neuroscience: New tissue engineering breakthrough encourages nerve repair
nevver: Third Avenue El, 1951
themainloop: Early Signs of Spring . T. Allen Lawson
renaissance-art: Domenico Ghirlandaio c. 1483-1485 View of the Sassetti Chapel
ein-bleistift-und-radiergummi: Francois Berthoud Illustration
artmastered: Ron Mueck, Ghost, 1998 The young girl represented in Ghost stands at around seven-feet tall. The awkwardness of her exceptional height, combined with her slumped shoulders, evokes the feeling of physical discomfort and unsureness.
neurosciencestuff: Peering into the Protein Pathways of a Cell As a cell’s central power plant, the mitochondrion is a busy place. Specially-coded proteins from the nucleus are constantly being ferried across the mitochondrion’s inner membrane, where
amare-habeo: Frans Masereel(1889 - 1972, Belgium)Accardeon-player and girl (Accordéoniste et fille), 1930
endlessquestion: Erich Mercker - Port of Hamburg
classic-art: Lady Maria Conyngham Sir Thomas Lawrence
amare-habeo: Emil Nolde (1867 1956 ) - Red and yellow sunflowers (Rote und gelbe Sonnenblumen), N/D Aquarelle Museum Frieder Burda, Baden-Baden, Germany
poboh: Giulio Aristide Sartorio (Italian, 1860-1932), Il Precursore.
churchforgirls: Poland - Bruno Barbey
pyritesoulfox: painting of the day: George Bellows - Riverfront No. 1 Young working-class males, from both the hinterland and abroad, flocked to American cities, seeking jobs, social mobility, and independence from the societies they had left behind.
thesavagesgallery: Tintoretto (1518-1594) The Deposition, 1559. Oil on canvas, 104 x 135 cm. Private collection.
theearofvangogh: Maurice Prendergast [1858 - 1924] Low Tide, Afternoon, Treport [1892]
les-sources-du-nil: Vikram Kushwah “The Missing Hand” 2011, From the ‘Ofelea’ Series
Virgin and Child with Saints John the Baptist, Victor, Bernard and Zenobius ~Filippino Lippi 1486 Tempera on wood 355 x 225 cm Galleria degli Uffizi , Florence, Tuscany, Italy
endlessquestion: Cecilia Beaux, Twilight Confidences (1888)
themainloop: Winslow Homer . The Artist’s Studio in the Afternoon Fog
Alexandre-Marie Guillemin Freshly Picked
ein-bleistift-und-radiergummi: Todd Camp
Promieniowanie
bofransson: The Sitting Room Anne Redpath
artmastered: Terry Frost, Straw, Orange, Blue, 1972, (lithograph on paper)
colourthysoul: Pierre Auguste Renoir - Sunset at Sea (1879)
bestiario: Per prima cosa mi piace il suo non essersi chiuso e rifugiato in una nicchia: Peter Doig non è molto conosciuto, ma è incredibilmente quotato. Con merito. In tutti questi anni, ha continuato furiosamente a lavorare. A usare la pittura, anche
thesavagesgallery: Tintoretto (1518-1594) TheSupper at Emmaus, 1542-1543. Oil on canvas, 156 x 212 cm. Szépművészeti Múzeum, Budapest, Hungary.
poboh: Lámpara- Naturaleza muerta, Enrique Grau. Colombian, born in 1920.
fleurdulys: Maurice Prendergast - City Point Bridge - 1897
currentsinbiology: Cerebellar Purkinje neurons, 2003. This photomicrograph shows a portion of the cerebellum in which only one type of neuron — its Purkinje cells — has been illuminated by a genetically encoded fluorescent protein; meanwhile, other
indigodreams: heaveninawildflower: The ‘Golden Queen’ raspberry. Plate from ‘The Canadian Horticulturist’ (1886). http://archive.org/details/canadianhorticu09stcauoft
Coitus & Carnage
endlessquestion: Henri de Toulouse-Lautrec - Allegory Springtime of Life, 1883
ilovetocollectart: Jean Pougny - Nature morte au couteau, 1910
currentsinbiology: Bacteria Communicate to Help Each Other Resist Antibiotics (Science Daily) New research from Western University unravels a novel means of communication that allows bacteria such as Burkholderia cenocepacia (B. cenocepacia) to resist
kecobe: Léon Frédéric (Belgian; 1856–1940)|Le matin = Morning Left panel from the triptych L’âge d’or (The Golden Age) Oil on canvas, 1901 Musée d’Orsay, Paris; photo: © 2008 Artists Rights Society (ARS), New York / SABAM, Brussels
hadrian6: Mars and Rhea Silva. 1616-17. Peter Paul Rubens. Flemish. 1577—1640. oil on canvas. http://hadrian6.tumblr.com
fourteenth: Frida Kahlo Sun and Life El Sol y la Vida
arsvitaest: “Fulfillment”, design for the mosaic friezes of Stoclet Palace’s Dining Room Author: Gustav Klimt (Austrian, 1862-1918)Location: Museum für angewandte Kunst | MAK, ViennaHigh resolution images
colourthysoul: Louis-Maurice Boutet de Monvel - Portrait of a Young Girl
emilionanni: Emilio Nanni
arsvitaest: Nigella damascena Author: Karl Blossfeldt (German, 1865-1932)Date: ca. 1932Medium: Gelatin silver printLocation: The Metropolitan Museum of Art, New York
somedevil: Gerhard Richter, Abstract Painting, 1995