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Portrait of Sarah Harrop (Mrs. Bates) as a Muse by Angelica Kauffmann, c. 1780-1781
Pelo d’Autore n° 1780 Te la mangerei in un sol boccone….
The skull of a young boy with a second imperfect skull attached to its anterior fontanelle. Hunterian Museum in London, England (late 1780s)
paintingses: The Ladies Waldegrave (details) by Joshua Reynolds (1723-1792) oil on canvas, 1780-1781
Riding habit ca. 1780 via The Los Angeles County Museum of Art.
The Nymph of Amalthea, 1780s
aqqindex: The Nymph of Amalthea, 1780s
detailsofpaintings: Anne Vallayer-Coster, Nature Morte au Vase de Fleurs, Nid d’Oiseau et Bourse 1780-81
centuriespast: Scene in Gekkyuden - Dream of the Moon Palace Totoya Hokkei (Japanese, 1780–1850) The Metropolitan Museum of Art
magictransistor: A Balloon Prospect from above the Clouds: Philosophical Playthings & The Spectacle of Air-Balloons, c. 1780.
(via 1i41t5kkg6zz.jpg (1780×1434))
swanmaiden: The Nymph of Amalthea, 1780s
Francesco Guardi, The Molo from the Bacino, 1775 - 1780. National Gallery of Canada, Ottawa.
art-of-swords: English Smallsword Dated: circa 1780 Place of Origin: England (hilt); Solingen, Germany (blade); London, England (made) Artist/Maker: Robert Gray Materials and Techniques: [Sword] Cut-steel hilt, decorated with gold; steel blade, blued
sekigan: HilightArt : HiLight…@lmbwy采集到A(1780图)_花瓣插画/漫画
manwife22: loumargi:Jean-Auguste-Dominique French painter (b. 1780, Montauban, d. 1867,Jupiter and Thetis Paris)Worship and adore Him.
thekimonogallery: Eagle on a Pine Branch in the Rain. Woodblock print. About 1780’s, Japan, by artist Nishimuraya Yohachi (Eijudô).
houghtonlib: A 1797 token of affection given by Jacob Outwater (1775-1816) of Manhattan and presented to his future wife Elizabeth Haring (1780-1854). MS Am 3108 Houghton Library, Harvard University
fluorite-wizard: Attack on Titan - Colossal Titan Tea Strainer + Mug SetAmiAmi - 1780 JPY The colossal Titan is the tea strainer you put in the cup. I am so done with this series’ merch
marthajefferson: “please my Lady, forgive the hardness of a soldier’s hand…” young Betsey & Alexander Hamilton, around 1780, requested by m0drnmoonlight (see, i made your OTP, i fulfilled my part of the deal. NOW your turn ;D) SO SORRY
linmirandamn: ”To the unionAnd the hope that you provideMay you alwaysBe satisfied…” December 14th marks the wedding anniversary of Alexander Hamilton and Elizabeth Schuyler. On that day in 1780, the brilliant and dashing aide-de-camp to General
armthearmour: A beautiful Jade hilted Katar wet with rubies and emeralds, North India, ca. 1780, from Christie’s Auction House.
courtroyale: Dress robe à la française ca. 1780 “The striped textile here is indicative of the change in aesthetics around 1765 to a more neoclassical taste, less florid than the silks of the decades prior to them.” metropolitan museum Uno stile più
laveneredissepolta: Jean Auguste Dominique Ingres (1780–1867) - The Dream of Ossian, 1813
the-paintrist: silent—poetry: Bernardo Bellotto - The Kreuzkirche in Dresden Bernardo Bellotto (ca. 1721/2 – 17 October 1780) was an Italian urban landscape painter or vedutista, and printmaker in etching famous for his vedutes of European cities
centuriespast: Dr. C. Francesco Antommarchi (From a mold by) Italian, 1780—1838 Cast by: Louis Richard and E. Quesnel, Paris Death Mask of Napoleon, modeled 1821 (cast 1833) Art Institute Chicago
Jean-Auguste-Dominique Ingres (Montauban 1780 - Paris 1867); Self portrait at the age of 78, 1858; oil on canvas, 51 x 62 cm; Galleria degli Uffizi, Firenze
ultrafacts: In 1780, Freeman heard the newly ratified Massachusetts Constitution read at a public gathering in Sheffield, including the following: All men are born free and equal, and have certain natural, essential, and unalienable rights; among which
Sir Nathaniel Dance-Holland. Portrait of Mrs Vere, 1780.
jaded-mandarin: John Hoppner. Portrait of a Lady as a Baccante, 1780. And people think Georgians are prudish..
masterpiecedaily: Angelica Kauffman Portrait of Eleanor, Countess of Lauderdale 1780-81
centuriespast: Designed by Josef Ulrich Danhauser (Vienna, Austria, 1780–1829)Manufactured by Danhauser’sche Möbelfabrik (Vienna, Austria, 1804–1839)Chair, ca. 1825Walnut and birch veneer on beech and softwood, modern upholstery Milwaukee Art
robert-hadley: Textile ( USA ), 1780 cotton Source: cooperhewitt.org
magictransistor: Jan Amos Komenský, Orbis Sensualium Pictus (Visible World in Pictures), 1658-1780.
homoaequoris: “Sisters Francisca and Maria of Our Perpetual Help attending the insolit birth of a miraculous creature that lived in the Convent of St Gregory from 1780 to 1822”
coolartefact: A red Jolly Roger flag, a sign pirates would give no quarter (spare no one alive). Captured 1780 by the British Navy. Source: https://imgur.com/9PiOYi1
B&w-1780 by jcmillar
B and w-1780 by jcmillar
blondebrainpower:In 1780, Luigi Valadier mounted a collection of ancient cameos for Pope Pius VI. For “The Triumph of Bacchus”, one of the most celebrated ancient cameos, he created an extraordinarily frame using other ancient cameos and engraved
harukina01: Xiuren 1780 陸萱萱
missfolly: Portrait of Count Potocki, by Jacques-Louis David, 1780-1781
100artistsbook: John Singleton Copley, Self-Portrait, 1780-1784.
rhaegartargaryen: Sir Henry Raeburn - The Archers | 1789 or 1780
thecabinet: Jean Auguste Dominique Ingres (1780-1867), Franz Liszt Drawing Private collection
HenryFuseli - The Oath on the Ruttli - 1779-1780
necspenecmetu: Jean-Jacques Lagrenee, David Victorious, 1780
blastedheath: hotguysinart Jean Auguste Dominique Ingres (French, 1780-1867), Portrait of a Young Man. Oil on canvas. Musée Bonnat, Bayonne, France.
grandviziertothesultanofagrabah: Maharajah Ranjit Singh, The Lion of the Punjab (1780 –1839). Oil on canvas, 52” x 80”, 2009 - Manu Saluja.
twofacedmirror: John Russell, 1780 (English, 1745-1806) bio
beardbriarandrose: J. A. D. Ingres (French, 1780-1867), Study for Phidias in The Apotheosis of Homer, c. 1827. Oil on canvas. San Diego Museum of Art, California.
antonio-m: James Barry (self-portrait), Irish 1780-1803
ganymedesrocks: Achilles, 1821, A gilt bronze Bust, after the Antique, 1821 - Luigi Righetti (1780 - 1852). Francesco Righetti (1738-1819) and his son, Luigi (1780-1852), were among the foremost bronze casters, from their foundry in Rome in the late
revealafrancaise: These intricately embroidered 18th century Men’s suits were ornate and stunning. coat (1780s), pale green 3 piece suit (circa 1775), pink 3 piece suit (1780), frock coat skirt (circa 1760-70), coat and waistcoat (circa 1760-80),
![art-of-swords: English Smallsword Dated: circa 1780 Place of Origin: England (hilt); Solingen, Germany (blade); London, England (made) Artist/Maker: Robert Gray Materials and Techniques: [Sword] Cut-steel hilt, decorated with gold; steel blade, blued](https://69.media.tumblr.com/e1e3f7c5f2e5615836c2ba9864685fce/tumblr_n7mkgpZX8X1rrjmgoo1_250.jpg)
