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barbarastanwyck: Barbara Stanwyck photographed at home for Screenplay magazine by Jack Albin, 1946
barbarastanwyck: Myrna Loy signing autographs for fans in San Diego on the set of Test Pilot, 1938
barbarastanwyck: Kay Francis in Wonder Bar (1934)
barbarastanwyck:Myrna Loy in Third Finger, Left Hand (1940)
barbarastanwyck:Myrna Loy in Stamboul Quest, 1934
barbarastanwyck: Joan Crawford, 1920s
barbarastanwyck: Ginger Rogers in Primrose Path, 1940
barbarastanwyck: Betty Grable getting her hair brushed on the set of College Swing, 1938
barbarastanwyck:Ginger Rogers in Romance in Manhattan, 1935
barbarastanwyck: Elizabeth Taylor in Love is Better Than Ever (1952)
barbarastanwyck: There’s one good thing in being a widow, isn’t there? You don’t have to ask your husband for money. Shadow of a Doubt (1943) dir. Alfred Hitchock
barbarastanwyck: Myrna Loy in The Wet Parade, 1932
barbarastanwyck: Vivien Leigh on the set of Gone With the Wind
barbarastanwyck: Madeline Kahn in High Anxiety (1977)
barbarastanwyck:Rosalind Russell in The Women, 1939
barbarastanwyck:Barbara Stanwyck and Rod La Rocque in The Locked Door, 1929
barbarastanwyck: Barbara Stanwyck in The Noose, 1927
barbarastanwyck: Joan Crawford, 1930s
barbarastanwyck:Ginger Rogers in Primrose Path, 1940
barbarastanwyck:Hold Your Man (1933)
barbarastanwyck:Myrna Loy in The Wet Parade, 1932
barbarastanwyck: Joan Crawford in Grand Hotel (1932)
barbarastanwyck: His Girl Friday (1940)
barbarastanwyck:Gloria Swanson photographed by Karl Struss, 1922
barbarastanwyck: In the year 1939 alone Bette Davis made four films Juarez, Dark Victory, The Old Maid, and The Private Lives of Elizabeth and Essex. Each film considerably different from the first showed Bette’s range and diversity as an actress
barbarastanwyck:Madeline Kahn ad-libbed the short monologue about her hatred for Yvette the French maid. Clue (1985)
barbarastanwyck: Christmas in Connecticut (1945)
barbarastanwyck: Barbara Stanwyck and Gary Cooper in Ball of Fire (1941)
barbarastanwyck: Ball of Fire (1941)
barbarastanwyck: Elizabeth Taylor wearing an Edith Head designed dress in A Place in the Sun, 1951. The dress had six layers of white net over a pale mint green taffeta , studded with single velvet violets, and a bodice covered in white velvet violets
barbarastanwyck: Summertime (1955)
barbarastanwyck:Ball of Fire (1941)
barbarastanwyck: Judy Garland arrives aboard the Twentieth Century at Grand Central Terminal, 1945
barbarastanwyck: Gone With the Wind + Tumblr Text Posts
barbarastanwyck: Vivien Leigh getting into costume in St. Martin’s Lane (1938)
barbarastanwyck: Dinner at Eight (1933)
barbarastanwyck:Shirley Temple of the set of The Bachelor and the Bobby Soxer, 1947
barbarastanwyck: Bette Davis in London, 1936
barbarastanwyck: Betty Grable is I Wake Up Screaming (1941)
barbarastanwyck: Norma Shearer applying her makeup on the set of Strangers May Kiss, 1931
barbarastanwyck: Betty Grable, 1935
barbarastanwyck: Jean Harlow behind the scenes of China Seas, 1935
barbarastanwyck: Judy Garland singing When I Look At You in Presenting Lily Mars (1941)
barbarastanwyck: Ginger Rogers in Vivacious Lady (1938)
barbarastanwyck: Eleanor Parker, 1951
barbarastanwyck: Esther Williams, 1939
barbarastanwyck: Kay Francis having dinner at Beverly Wiltshire Hotel, 1940
barbarastanwyck: Bette Davis on the set of The Letter photographed by Bert Six, 1940
barbarastanwyck: Ziegfeld Girl (1941)
barbarastanwyck: Esther Williams throwing autographs off a balcony to her fans below at Cannes Film Festival, 1955
barbarastanwyck: Lana Turner in Ziegfeld Girl (1941)
barbarastanwyck: laurbear1990 asked: Gene Tierney Leave Her to Heaven (1945)
barbarastanwyck: Holiday (1938)
barbarastanwyck: Joan Blondell visiting Bette Davis on the set of Dark Victory, 1939
barbarastanwyck: Barbara Stanwyck and Gary Cooper chatting at the Tailwagger’s dinner party benefit, 1938
barbarastanwyck: Norma Shearer at a banquet, 1936
barbarastanwyck: Bette Davis on the set of The Man Who Came to Dinner, 1942
