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Pelo d’Autore n° 1570 Voglio aprirti le cosce….
ahencyclopedia: AMUN: AMUN (also Amon, Ammon, Amen) is the ancient Egyptian god of the sun and air. He is one of the most important gods of ancient Egypt who rose to prominence at Thebes at the beginning of the period of the New Kingdom (1570-1069 BCE).
me, licking the asshole of David Karp, or Blake Metheny, or Matt F., or one of my 1570 faithful followers.
oldroze: Francois Clouet. Lady in Her Bath. c.1570. Oil on wood. The National Gallery of Art, Washington, DC, USA
foreverindenim: Ashlea Louise - 1570 by Vincan
we-are-anonymous-and-free: Happy 5th November ❤️ In memory of: - Guy Fawkes (* 13. April 1570 in York; † 31. Januar 1606 in London) Give a love or reblogg to respect.
Tintoretto, Portrait of a Woman Revealing Her Breasts, 1570.
art-of-swords: European Sword Dated: 16th century Culture: the pommel is Italian, 1540-50, whilst the rest of the sword is German circa 1570 Medium: steel Measurements: overall length, 124.5 cm; blade length, 108 cm; grip length, 10.2 cm; quillons
candlewinds: detailed armor, milan ca. 1570-1580 (x)
fashionsfromhistory: Cape 1570-1580 Museu del Disseny de Barcelona
centuriespast: Portrait of a Lady Date: circa 1570-80 Artist: Tintoretto (Jacopo Comin) North Carolina Museum of Art
renaissance-art: Tintoretto c. 1570 Origin of the Milky Way
Tiziano Vecellio (Pieve di Cadore 1488-90 - Venezia 1576); Il supplizio di Marsia (The flaying of Marsyas), c. 1570; oil on canvas, 212 x 207 cm; National Museum, Kroměříž, Czech Republic
Frans Floris (Frans de Vriendt called Floris; Antwerp, 1517 - 1570); The Sacrifice of Jesus Christ, 1562; oil on wood, 230 x 165 cm; Musée du Louvre, Paris
kecobe: Martino Rota (Italian; ca. 1520–1583)Portrait of Emperor Rudolf II ca. late 1570s–before 1585Oil on canvas Palais Dorotheum, Vienna
Paolo Veronese (Verona 1528 - Venezia 1588), Mars and Venus United by Love, c. 1570, oil on canvas, Metropolitan Museum of Art, New Yorksource: Italian Art Society
Paolo Veronese (Paolo Caliari, called il Veronese, 1528-1588), Portrait of Daniele Barbaro, 1561-65; oil on canvas, 121 x 106 cm. Rijksmuseum, Amsterdam “Architect, writer and commentator, Daniele Barbaro (1514-1570) worked to an Italian translation
climacus:Tiziano Vecellio (Pieve di Cadore 1488-90 - Venezia 1576); Il supplizio di Marsia (The flaying of Marsyas), c. 1570; oil on canvas, 212 x 207 cm; National Museum, Kroměříž, Czech Republic
history-of-fashion: 1565-1570 François Clouet - Admiral Gaspard II de Coligny this dude was not only hot he was also a brave protestant who got massacred in the st. bartholemew’s day massacre
history-of-fashion: 1565-1570 Giovanni Battista Moroni - Portrait of a young man
centuriespast: Gold Sundial and Compass ring, 1570 CE, possibly Germany.
blackpaint20: Matthias Gerung (1500–1570) The Whore Babylon, Revelation 17:1-18 circa 1530-1532 painting
v-ersacrum: Titian, Saint Sebastian (detail), c.1570
coolartefact: Universal tool. Nuremberg, from 1560 to 1570.Source: http://i.imgur.com/4dHWfmc.jpg
diagnosednostalgia: Francois Clouet Portrait of Charles IX (1570)
blondebrainpower: “Three Children with a Dog” by Sofonisba Anguissola. circa 1570-1590. Painter Sofonisba Anguissola (1532–1625) was a trailblazer during the Italian Renaissance. Born into a relatively poor noble family, her father made sure
peashooter85: German Hand and a Half sword, circa 1570. from The Worcester Museum of Art : Higgins Armory Collection
disturbthebookmites: William the Silent, Adriaen Thomasz, c. 1570.
malebeautyinart: Alessandro Allori, “Allegory of Human Life,” 1570
stefanie-bean: Girolamo Macchietti, Baths at Pozzuoli (1570-72) Palazzo Vecchio, Florence
animalsinart: “I don’t care if there’s hanky panky happening on the bed or if Apollo himself comes down, this is my stool and I’m not getting down!” Hendrick De Clerck (1570-1629) “Mars and Venus Surprised by Apollo”
necspenecmetu: Vincenzo Campi, Pieta with Saint Francis, c. late 1570s
necspenecmetu: Giovanni Battista Moroni, Portrait of a Gentleman in Black, c. 1570-5
tekiela: Portrait of a Man holding a Letter (‘L’Avvocato’), c.1570-75. (National Gallery, London)
necspenecmetu: Luca Cambiaso, Christ with Two Angels, c. 1570
sacredimages: Paolo Veronese - Resurrection of Christ - c 1570
hadrian6: The wool factory. 1570. Mirabello Cavalori. Italian. 1535-1572.
The Fall of the Rebellious Angels (detail),1554, Frans Floris The Elder. Flemish (ca 1517 - 1570)
Mercury and Minerva. 1560. Gaspar Becerra. Spanish.1520-1570.
Corneille de Lyon, Francois de Montmorency, 1570-74.
Study of a bearded Man. 1565. Frans Floris. Flemish. 1516-1570. oil /canvas. Art Institute of Chicago.
1570s Attributed to Adrian Vanson - George, 5th Lord Seton, aged 27
1570s-1580s Federico Barocci (Federico Fiori) - Portrait of a Man
Jacopo Coppi (attributed to), Portrait de jeune homme (c. 1570)
coraltigerpizza:Don Pietro de Medici, son of Cosimo and Eleonora, by Alessandro Allori,1570s
somanyhumanbeings:Mirabello Cavalori, Ritratto di Giovinetto a Mezzo Busto (c. 1560-1570)
jonnodotcom:Paolo VeroneseBoy with a Greyhoundca. 1570s (@ the Metropolitan Museum of Art; see also)
#1570 - Maddie Q#1570 – Maddie QPatryk KottView On WordPress
hadrian6: The Shield of Medusa. 1570s.Bernardo Buontalenti. Italian 1531-1608. bronze, Boboli Gardens. Florence.http://hadrian6.tumblr.com
amare-habeo: Painted wood and linnen with painted stuccoEgypt, New Kingdom, 1570-1085 B.C.
hadrian6: The Shield of Medusa. 1570s. Bernardo Buontalenti. Italian 1531-1608. bronze, Boboli Gardens. Florence. http://hadrian6.tumblr.com
trefoiled: The Atacama Desert in Chile is the most arid non-polar region in the world. Evidence suggests it may have received no significant rainfall for a 400 year period from 1570 to 1971, and many weather stations placed there have never seen rain.
lionofchaeronea: The Abduction of Proserpina, Alessandro Allori, 1570
renaissance-art: Alessandro Allori c.1570 Abduction of Prosperpine (detail)
v-ersacrum: School of Fontainebleau, Poppaea Sabina (detail), c.1570
rubenista: Detail of Allegory of Love IV: The Happy Union by Paolo Veronese (1570)
medievalpoc: Bartholomeus Spranger Adoration of the Kings Antwerp(c. 1570s) oil on canvas 199.8 cm (78.7 in). x 143.7 cm (56.6 in). [x] [x] [x]
history-of-fashion: 1570-1590 Spanish School - Portrait of a man (Accademia Carrara)
![medievalpoc: Bartholomeus Spranger Adoration of the Kings Antwerp(c. 1570s) oil on canvas 199.8 cm (78.7 in). x 143.7 cm (56.6 in). [x] [x] [x]](https://69.media.tumblr.com/590de8bad37e3ffc4d13308d18c764c8/tumblr_mt2ryycJ5N1ssmm02o2_250.jpg)
