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onlyoldphotography: Eugène Atget: Boulevard de Strasbourg, Corsets, Paris, 1912 In Atget’s inventory of Paris, shop windows figure prominently and the most arresting feature mannequin displays. In the 1920s the Surrealists recognized in Atget a

contemporaindufutur: František Drtikol- Planche XXV, publiée dans Les Nus de Drtikol, Edtion Librairie des arts décoratifs, Paris 1929

self-shadowing-prey: theoddsideofme: iheartmyart: Man Ray, Compass, 1920, The Metropolitan Museum of Art, New York Before leaving Paris for New York in 1921, Man Ray made several constructions that questioned the authority of logic and science over

regardintemporel: Marcel Duchamp - Ombres portées, 1918 Centre Pompidou, Paris

hauntedbystorytelling: Clarice Lispector, Paris, 1946 [unknown photographer]

les-sources-du-nil: Nadar (Gaspard-Félix Tournachon, 1820 –1910) Égouts de Paris, 1861

chagalov: Edgar Varèse and Antonin Artaud, Paris, 1933 -by Rogi André via rmn

kvetchlandia: Man Ray Lee Miller, Paris 1929

kvetchlandia: Man Ray Lee Miller, Paris 1930

kvetchlandia: Man Ray Les jambes de Lee Miller, Paris 1930

edelinelee: Nusch Eluard, 1935. Photo Dora Maar © Collection of the Centre Pompidou, Paris

thequietdolls: André Kertész - Théâtre de Marionettes, Paris, 1929-1930

bleeding-ground: Salvador Dalí and Brian Eno, Paris, 1973.

hauntedbystorytelling: Gisèle Freund :: Self portrait with Horst Shade in double exposure, Paris, 1929 / more [+] by this photographer

chagalov: Gherasim Luca in the atelier of Victor Brauner, Paris, 1938 -by Victor Brauner [more on Gherasim Luca chez yama-bato…] from binoche

postpunkindustrial: Salvador Dalí and Brian Eno, Paris, 1973

vivipiuomeno1: Iwata Nakayama (1895-1949) from Portfolio 2010 ‘Paris by night’

yama-bato: Moï Verhttps://www.harpersbooks.com/pages/books/20322/moi-ver/paris

bremser:Erwin Blumenfeld, Hands, Paris, 1937

vivipiuomeno1:Takuma Nakahira’s ‘Circulation-Date, Place, Events’ - Seventh Paris Biennale, 1971 body

mpdrolet: Jean Cocteau, Paris,1948

iconophages:Denise Bellon- Salvador Dali portant un mannequin d’artiste (le chauffeur du « Taxi pluvieux »), Exposition internationale du surréalisme, Paris 1938- Tirage argentique

iconophages:Max Ernst, Répétitions, Paris, 1923

zzzze:Joel-Peter Witkin Studio of the Painter (Paris, 1990) [mannequin-like seated figure with palette by painting, female subjects reclining at left; fleshy female model with arm raised, back to camera; masked child figure and motion diagram at right]

blueblackdream:Ma mère. Georges Bataille, Jean-Jacques Pauvert, Paris 1966

archives-dada: Man Ray, L'inquiétude (L'inquiétude, Objects 1911-1920), 1920, Négatif gélatino-argentique sur support plaque de verre, 12 x 9 cm, Paris Centre Pompidou.

thinkingimages: [MASSON] – [BATAILLE, Georges (1897-1962) sous le pseud. de:] LORD AUCH. Histoire de l'oeil. [Paris: René Bonnel] 1928

caballerodelatristefigura: Les Chants de Maldoror · Chant Premier Isidore Ducasse, Comte de Lautréamont First Edition, Paris, 1868

wehadfacesthen: Portrait of Marcel Duchamp by Man Ray, Paris 1921 via c86 & Mondoblogo

regardintemporel: Aaron Siskind - Paris, 1977

regardintemporel: Jacques Evrard - Pierre Alechinsky dans son atelier à Labosse/Paris. ca 1969

regardintemporel: Otto Steinert - Abrissmauer, Paris, 1949

manrayphoto: 1932 Tears. Man Ray must have considered Tears one of his most successful photographs. He made this photograph in Paris around the time of his breakup with his lover Lee Miller, and the woman’s false tears may relate to that event in

hauntedbystorytelling: Philippe Halsman :: Jean Cocteau, 1964 / via oldhollywood “This sickness, to express oneself. What is it?” -Jean Cocteau (The Paris Review, 1964) more [+] by this photographer

voltra: Jean Renaud dancing on a Paris rooftop, 1950 & Pierre Gauvreau, ink drawing, 1954

chagalov: Hans Bellmer, Self-Portrait with ‘Die Puppe’, Paris, 1934 [+] from sotheby’s

lasmicrofisuras: Man Ray Lee Miller and William Seabrook Paris, 1930

nuellemma-fontineau: [WOLS] – KAFKA, Franz (1883-1924). L'Invité des morts. Wols, pointes sèches. Textes traduits par Marthe Robert. Paris: Presses du livre français, 1948.

magictransistor: Man Ray. Brazier. Exposition Internationale du Surréalisme. Paris, 1938.

regardintemporel:Jaroslav Rössler - Paris, 1930

dianegabb:Duchamp, Brancusi, Tzara et Man Ray dans l'atelier de Brancusi, Paris, 1921

yama-bato: Ernst HaasJean Cocteau, Paris, 1952

garadinervi: From: Tristan Tzara, La rose et le chien: poème perpétuel, Illustrations by Pablo Picasso, PAB [Pierre André Benoit], Alès, 1958, BnF – Réserve des livres rares, Paris

delicieuxchaos: Hans Bellmer- Petite Anatomie de l'inconscient physique ou l'Anatomie de l'Image Paris, Ed° Le Terrain Vague, 1957

violentwavesofemotion: Margaret Neiman and Henry Miller photographed by Man Ray in Paris c. 1942

leonorfini: Leonor Fini wearing costume for the Bal de La Nuit du Pre Catelan, Paris, June 1946 by Andre Ostier

kvetchlandia: Lee Miller Man Ray Asleep, Paris 1930

regardintemporel: Keiichi Tahara - Paris , 1978

providencepubliclibrary: From: Tristan Tzara, La rose et le chien: poème perpétuel, Illustrations by Pablo Picasso, PAB [Pierre André Benoit], Alès, 1958, BnF – Réserve des livres rares, Paris. via @garadinervi The perpetual calendar of poetry.

orwell:Jean Cocteau, Paris 1952Ernst Haas

oorequiemoo: Moon priestess Surrealistic French Postcard by Arjalew, Paris, ca 1900

la-gaufrette: L’araignée - Carte postale surréaliste - Paris, 1900.

frenchvintagegallery: Leonor Fini , surrealist painter , Paris 1937

my-nothing-self: Surrealists pose on an outing near Paris in 1958.

Salvador Dali - Aphrodisiac Dinner Jacket, 1936. The most important early formal display of Surreal Things was the exhibition Surrealist Objects at the Galerie Charles Ratton in Paris in May 1936. Here were assembled some of the great Surrealist objects.

adsertoris: theconstantbuzz: © Lee Miller Paris Liberation, Winter 1944-45The veiled Eiffel Tower from the Palais de Chaillot. (via Lee Miller Archives) Lee Miller – The Surrealist Combat Photographer Lee Miller’s path through life as a fashion

onlyoldphotography: Eugène Atget: Boulevard de Strasbourg, Corsets, Paris, 1912 In Atget’s inventory of Paris, shop windows figure prominently and the most arresting feature mannequin displays. In the 1920s the Surrealists recognized in Atget a kindred

onlyoldphotography: Eugène Atget: Boulevard de Strasbourg, Corsets, Paris, 1912 In Atget’s inventory of Paris, shop windows figure prominently and the most arresting feature mannequin displays. In the 1920s the Surrealists recognized in Atget a

an-art-gallery: The lovers Artist: Rene Magritte Completion Date: 1928 Place of Creation: Paris, France Style: Surrealism Period: Surrealist Paris years Genre: symbolic painting Technique: oil Material: canvas Dimensions: 54 x 73.4 cm Gallery: Museum

onlyoldphotography: Eugène Atget: Boulevard de Strasbourg, Corsets, Paris, 1912 In Atget’s inventory of Paris, shop windows figure prominently and the most arresting feature mannequin displays. In the 1920s the Surrealists recognized in Atget a

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