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gueule-de-loupviolette: Henri Wolf-Vienna Ferris Wheel from Orson Welles “The Third Man”, 1957.
nitratediva: Joseph Frank ‘Buster’ Keaton (October 4, 1895 – February 1, 1966) “He was a lovely person and a supreme artist—and I think one of most beautiful people who was ever photographed.” —Orson Welles
fuckyeahdirectors: Orson Welles
blondeders: quatrocentosgolpes: The Lady from Shanghai (1947) - Orson Welles jesus
cryism: The Lady From Shanghai (1947), directed by Orson Welles
ufukorada: “We’re born alone, we live alone, we die alone. Only through our love and friendship can we create the illusion for the moment that we’re not alone.” - Orson Welles
nitratediva: Rita Hayworth in Orson Welles’s The Lady From Shanghai (1947). I just did a blog post about this movie, which happens to be my all-time favorite, and what it means to me.
abeautifulchaos1976: beforethecolon: artdork66: bigcheese327: vintagedeluxeworld: yehyehgrace: Rita Hayworth and Orson Welles pretending to bullfight. 1945 Life Magazine
barcarole: Orson Welles and Pier Paolo Pasolini filming La Ricotta, 1962.
theimpossiblecool: “I don’t say we all ought to misbehave, but we ought to look as if we could.” Orson Welles.
atrofiarte: asaucerfulofcobras: Citizen Kane: 70 Years looking for Rosebud. ¡Verdad! feliches 70… Roseeeebuuuud (8)
avagardner: Orson Welles at the premiere of Citizen Kane, 1941.
ritahayworthdaily-blog: Orson Welles and Rita Hayworth with their daughter Rebecca, 1945
deadlyspecies: Orson Welles.
indypendentmusic: Louis Armstrong, 1930s (via Stars from Lucille Ball to Orson Welles shown ‘In Vibrant Color’ photography at new Harry Warnecke exhibition | Mail Online)
fuckyesoldhollywood: Rita Hayworth looks at her reflection after her famous red hair was cut and dyed blonde on the set of ‘The Lady From Shanghai’, as Orson Welles looks on For a caption, that was a mouthful.
meganmonroes: Orson Welles and Rita Hayworth in the 1940s.
proustitute: Orson Welles, The Trial, 1962
10 Orson Welles: The Trial (1962) After Franz Kafka
historicaltimes: Orson Welles at the Citizen Kane premier, 1941
Nós nascemos sozinhos, vivemos sozinhos e morremos sozinhos. Somente através do amor e das amizades é que podemos criar a ilusão, durante um momento, de que não estamos sozinhos. Orson Welles
“Nós nascemos sozinhos, vivemos sozinhos e morremos sozinhos. Somente através do amor e das amizades é que podemos criar a ilusão, durante um momento, de que não estamos sozinhos.”Orson Welles
Nós nascemos sozinhos, vivemos sozinhos e morremos sozinhos. Somente através do amor e das amizades é que podemos criar a ilusão, durante um momento, de que não estamos sozinhos.Orson Welles
Citizen Kane “Rosebud” • Directed by Orson Welles 1941
The Trial (1962), dir. Orson Welles
365filmsbyauroranocte: F for Fake (Orson Welles, 1973)
wjs59: Ann Sothern, Ingrid Bergman, Daun Kennedy, Orson Welles, Fred Astaire and the sublime Miss Monroe all by Ernest A. Bachrach (1899 - 1973)
vogucci: aztec-dreams: “Style is knowing who you are, what you want to say, and not giving a damn” Orson Welles <33
wehadfacesthen: Orson Welles, 1941
oldhollywood: Above: The partial set from Citizen Kane consists of a foreground doorway and the butler (Paul Stewart), while Kane (Orson Welles) stands on a distant soundstage floor. Below: The final, deep-focus image was completed with a matte painting
