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centuriespast:PentecostBarnaba da Modena (active 1361–1383)The National Gallery, London
motivationsforlife: The Nationals Gallery, London by Adam Birkett
archatlas: escher x nendo | between two worldsPopularly known as the NGV, the National Gallery of Victoria in Melbourne presents a groundbreaking exhibition that features the work of Dutch artist MC Escher in dialogue with the work of acclaimed Japanese
blastedheath: tremblingcolors David Bomberg (English, 1890-1957), Sappers at Work: A Canadian Tunelling Company, second, final version, 1919, oil on canvas, 305 x 244 cm, National Gallery of Canada, Ottawa.
kutxx: Gerrit van Honthorst Christ before the High Priest c. 1617, oil on canvas, National Gallery, London
artauthority: Whistlejacket by George Stubbs, ca. 1762. (The National Gallery, London, UK) Oil on canvas. Animal portraiture, particularly featuring horses and dogs, was quite a popular genre amongst English aristocrats since the seventeenth century.
lyghtmylife: Jean Metzinger [French Cubist Painter, 1883-1956] Woman with a Horse (La Femme au Cheval), 1911-1912 Oil on canvas 162 x 130 cm Statens Museum for Kunst, National Gallery of Denmark, Copenhagen, Denmark
artauthority: Self-Portrait in a Straw Hat by Elisabeth Vigée-Lebrun, 1782. (National Gallery, London, United Kingdom) Oil on canvas. 98 x 70 cm. Elisabeth Vigee-Lebrun was the official portrait painter to Marie Antoinette in the 18th century. She
lyghtmylife: Kitaj, R.B. [American Pop Artist, 1932-2007]If Not, Not1975-76Oil on canvas60 x 60 in. (152.4 x 152.4 cm)Scottish National Gallery of Modern Art, Edinburgh
endlessquestion: George Bellows - Blue Morning ,1909, oil on canvas, National Gallery of Art
Tiziano Vecellio (Pieve di Cadore 1480/85 - Venezia 1576), Noli me tangere (1511/12 c.), National Gallery, London
artmastered: Diego Velázquez, Rokeby Venus, 1647-51, The National Gallery This is the only surviving example of a female nude by Velázquez. The subject was rare in Spain because it met with the disapproval of the Church. The Rokeby Venus was famously
blastedheath: fleurdulys Pierre-Auguste Renoir (French, 1841-1919), Pont Neuf, Paris, 1872. Oil on canvas, 75.3 x 93.7 cm. National Gallery of Art, Washington, D.C.
Lajos Deák Ébner (1850 Pest - 1934 Budapest), Poultry Market, 1885; oil on canvas, 132 cm x 97 cm; Hungarian National Gallery (Magyar Nemzeti Galéria), Budapest
Jacob Isaacszoon van Ruisdael (Haarlem c. 1628 - Amsterdam 1682), A view of Amsterdam, 1665-70; oil on canvas; National Gallery, London
Rodrigo de Villandrando (Madrid 1588 - 1623), Doña Juana de Salinas, c. 1622; oil on canvas; National Gallery of Ireland, Dublin
Pierre Subleyras (Saint-Gilles 1699 - Roma 1749); Diana and Endymion, c. 1740; oil on canvas, 73 x 99 cm; National Gallery, London
kecobe: Giovanni Battista Tiepolo (Italian; 1696–1770)Apollo Pursuing Daphne Oil on canvas, 1755–60 National Gallery of Art, Washington, D.C. As when th’ impatient greyhound slipt from far, Bounds o’er the glebe to course the fearful hare, She
Jan Steen (Leiden, 1626 - 1679); The Village School, c. 1670; oil on canvas; National Gallery of Scotland, Edinburgh
ortegacas: Paolo UccelloSan Jorge y el dragón (circa 1470) 57 x 73 cm Óleo sobre tela. National Gallery, London
Antonín Slavíček (Prague, 1870 -1910); Road with Rowan Trees, 1908; oil on canvas, 78 x 78 cm; Prague, National Gallery
Giambattista Tiepolo (Venezia 1696 - Madrid 1770); Mosè salvato dalle acque (The finding of Moses), c. 1740; oil on canvas, 339 x 200 cm; National Gallery of Scotland, Edimburgh
thisblueboy: Jacques-Louis David (Paris 1748-1825 Brussels), Portrait of a Young Woman in White, ca.1798, National Gallery of Art, Washington D.C.
Stanislas Lépine (Caen 1835 - Paris 1892); Pont de la Tournelle - Paris, 1862; oil on canvas, 55 x 40 cm; National Gallery of Art, Washington DC.
Frederic Leighton (Scarborough 1830 - London 1896); The Villa Malta - Rome, 1860’s; oil on canvas; The Gere Collection, long-term loan to the National Gallery, London
John Linnell (Bloomsbury, London, 1792 - Redhill, Surrey, 1882); Wheat, 1860; oil on canvas, 140 x 94 cm; National Gallery of Victoria, Melbourne
Pieter Paul Rubens (Siegen 1577 - Antwerp 1640); Allegory of Peace and War (Minerva protects Pax from Mars), 1629-30; oil on canvas, 298 x 203.5 cm; National Gallery, London
artmastered: Rembrandt, Two Scholars Disputing, 1628, oil on panel, 72 x 60 cm, National Gallery of Victoria, Melbourne. Source This is believed to be a representation of Saints Peter and Paul, though they are not depicted with any of their recognisable
thisblueboy: Joachim Wtewael (1566-Utrecht-1638), The Judgement of Paris, 1615, National Gallery, London
elegantiaearbiter: The Lomellini Family, by Antoon van Dyck, Scottish National Gallery, Edinburgh.
italianartsociety:From now through May 3, 2015, the National Gallery of Art, Washington hosts Piero di Cosimo: The Poetry of Painting in Renaissance Florence. The exhibition showcases over forty of the artist’s most compelling works. With themes ranging
mesbeauxarts-blog: Raffaello Sanzio. Saint Catherine of Alexandria. ca. 1507. Oil on poplar. National Gallery. London, UK.
artmastered: Carlo Crivelli, Annunciation with St Emidius, 1486, oil on wood transferred to canvas, 207 x 147 cm, The National Gallery, London. Source Carlo Crivelli was a Venetian-born painter, renowned for his late-Gothic inspired style.
centuriespast: GIORDANO, Luca Perseus Fighting Phineus and his Companions c. 1670 Oil on canvas, 285 x 366 cm National Gallery, London
kecobe: DionysiusBarnett Newman (American; 1905–1970)1949Oil on canvas National Gallery of Art, Washington, D.C.© 2009 Barnett Newman Foundation / Artists Rights Society (ARS), New York
Jan van Eyck (Netherlandish, circa 1390-1441), The Annunciation, circa 1434-36; oil on canvas transferred from panel, painted surface: 90.2 x 34.1 cm; National Gallery of Art, WashingtonThe painting, originally a panel, was probably the left (inner)
oncanvas: Quintilia Fischieri, Federico Barocci, circa 1600 oil on canvas123.8 x 95.3 cm (48 ¾ x 37 ½ in.)National Gallery of Art, Washington, DC, USA
climacus:Jacob Isaacszoon van Ruisdael (Haarlem c. 1628 - Amsterdam 1682), A view of Amsterdam, 1665-70; oil on canvas; National Gallery, London
canforasoap:Antoon van Dyck (Flemish, 1599 - 1641), Marchesa Balbi, ca. 1623. Oil on canvas, 196.5 x 133.8 cm; National Gallery of Art, Washington
alaspoorwallace:Sebastiano del Piombo (Italian, 1485-1537), The Raising of Lazarus, c. 1517-19. Oil on canvas, 381 x 289.6 cm. National Gallery, London
alaspoorwallace:Nicolas Poussin (French, 1594-1665), The Assumption of the Virgin, 1630-32. Oil on canvas, 134.5 x 98 cm. National Gallery of Art, Washington
Pieter Lastman (Dutch, 1583-1633), Juno discovering Juppiter with Io, 1618. Oil on oak panel, 54 x 78 cm. National Gallery, London
alaspoorwallace: Agnolo Bronzino (Florentine, 1503 - 1572), A Young Woman and Her Little Boy, c. 1540. Oil on panel, 99.5 x 76 cm; National Gallery of Art, Washington “Tucked in the corner of the panel, the small blond boy was an afterthought, added
alaspoorwallace:Luca Giordano (Italian, 1634-1705), Perseus turning Phineas and his Followers to Stone, ca. 1680-1684. Oil on canvas, 285 x 366 cm. National Gallery, London
Edvard Munch (Norwegian, 1863-1944), The Dance of Life (Livets dans), between 1899 and 1900. Oil on canvas, 129 x 191 cm; Nasjonalgalleriet, Oslo
canforasoap:Vincent van Gogh (Dutch, 1853-1890), Self-portrait, 1899. Oil on canvas, 57.7 x 44.5 cm. National Gallery of Art, Washington
hauntedbystorytelling: Olive Cotton :: Max after surfing, 1937 [Max Dupain]. Gelatin silver photograph. National Gallery of Australia, Canberra. / source: ArtBlart more [+] by this photographer / more [+] Max Dupain posts
tackedtothewall: unicornsandbutane: popprincesses: this tweet is everything I used to work at the National Gallery in London. Old men came up to me fairly regularly to complain about the young girls (and sometimes the tourists of a particular ethnicity
paysagemauvais: Saint Michael, detail - Carlo Crivelli (about 1430/5-about 1494) about 1476tempera and gold on panel91 x 26 cm The National Gallery, London
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jackcayless: Bella explains her trapped financial situation to one of the neighbours, Shay of U’roh, in the shared washrooms common among low-income studio flats in the city of Zundin.U’qai is an island nation in the continent of U’roh, though
dappledwithshadow: Selected radiographs of Edgar Degas wax sculptures at the National Gallery of Art in Washington revealing a variety of armatures.
József Rippl-Rónai, Lady with Black Veil, 1896, Hungarian National Gallery, Budapest
Lady with Black Veil, Jozsef Rippl-Ronai (1861-1927), 1896. (Hungarian National Gallery, Budapest)
cavetocanvas: Color Panels For A Large Wall - Ellsworth Kelly, 1978. Located in the National Gallery of Art, Washington, DC.
design-is-fine: Hans Hoffmann, Red Squirrel, 1578. Watercolor and gouache on vellum. Nuremberg, Germany. National Gallery of Art, Washington.
frankiethebaron: spanishbaroqueart: Francisco de Zurbarán 1. A Cup of Water and a Rose, ca. 1630 The National Gallery, London 2. Detail from Still Life with Lemons, Oranges and a Rose, 1633 Norton Simon Museum, Pasadena “Although Zurbarán frequently
wetreesinart: Jacques Callot ( Fr. 1592 - 1635), Rossignol dans un buisson, gravure, Washington, National Gallery of Art