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@cartoonnetwork, listen, if you make merch with Pearl in a suit I will 100% buy, like, all of it
stevencrewniverse: The finest Brie!
projectormom: pearlitariat: i’m also really fascinated by the “out in daylight / my potential” line like a little hc of mine for a while has been that cg pearl mightve been relatively defiant for a pearl and/or was secretly practicing swordplay
its unfortunate that iTunes probably won’t put this episode up until Midnight on Thursday (to pair it with “Too Short to Ride”) ‘cause I really want to make Pearl lying on the railing my desktop background but I gotta wait for iTunes to put
I really like how Pearl walks away here. Like, I can’t really explain it but there’s some really nice weight to the animation and emotion behind it and I just really like it
Rebecca S
“Sometimes… you even sound like her”pretty sure that’s what they were going for there
Pepe and Pear
joe the johnston
so I got a couple asks about this but I can’t find them in my inbox right now so I’ll just talk about it hereDuring “It’s Over, Isn’t It” there’s the line “Now I’ve got to be there for her son”, which a number of people are reading
Ben Levin
Building a Scene: It’s over isn’t it?
artemispanthar: one of my theories regarding Rose and Pearl’s relationship is that while Pearl loves Rose and I’m confident that Rose loved her back, if Pearl was specifically made to be devoted (such as being an object meant to serve or otherwise
artemispanthar: so I got a couple asks about this but I can’t find them in my inbox right now so I’ll just talk about it here During “It’s Over, Isn’t It” there’s the line “Now I’ve got to be there for her son”, which a number
pearl-likes-pi: Side-by-side comparison of “It’s Over, Isn’t It?” storyboards and final animation (I did a lot of editing to make sure they were in time with one another). Note the pretty major differences in Pearl’s expressions and intensity
also, from a writing perspective, it makes very little sense for them to include that line with the intent of it being negative toward Steven (which would be a big deal) and then immediately have Steven sincerely singing a song about how the main thing
I wonder if Pearl lists Fusion before Freedom in “It’s Over Isn’t It?” just because it fit the flow of the song or because Fusion came before her Freedom in these past events she’s reflecting on (like, it led to it or was involved in it)
didactically
This is a very “Are you seeing this nonsense?” expression
just-watch-me-hachiko: I just want to talk real quick about the gender rolls in the dancing to this song: (I’m a bit rusty, so please forgive and correct any inaccuracies!) Interestingly enough, it’s incredibly gender-neutral despite this being
