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themaninthegreenshirt:Mark Rothko - No. 1 [Painted in 1949] is one of the artist’s earliest examples of his mature artistic vocabulary, dating from the pioneering year of his practice and was first shown in 1950 as part of his historic solo exhibition
topcat77: Mark Rothko Pink on pink, 1953
isensualist: Mark Rothko
mustmuse: Mark Rothko - Untitled (Yellow, Orange and Gold) 1968
dailyrothko: mark rothko
dailyrothko:Mark Rothko, untitled, 1969
paperimages: Mark Rothko, Heads, 1941-42 Teste, ma discutono, e il discutere trae in inganno; conversano, ma quel conversare svela l'intrigo: ricordo che versare in latino è fundere (profondere infondere effondere …) e che perciò per sostituzione
colin-vian: Mark Rothko, Light, Eart and Blue, 1954, Oil on canvas, 191,5 x 170,2 cm, Private collection
dailyrothko: Mark Rothko, Untitled, 1969, Acrylic on paper, 1,825 x 1,225 mm (sight)
chimneyfish: Mark Rothko, 1950 Richard Pousette-Dart
feretros: Mark Rothko en su estudio, NY
colin-vian: Mark Rothko
arquilatria: Mark Rothko, Untitled, 1961
immafuster:Mark Rothko - Untitled (verso), 1961
nobrashfestivity: dailyrothko: Mark Rothko, 1949 V O T E
cheesewhizexpress: Four Darks in Red, 1958 Mark Rothko Whitney Museum of American Art By http://www.tate.org.uk/modern/exhibitions/markrothko/interactive/room-2.shtm, Fair use, https://en.wikipedia.org/w/index.php?curid=23419064
lonequixote: Untitled (Violet, Black, Orange, Yellow on White and Red) by Mark Rothko (via @lonequixote)
dailyrothko: Mark Rothko, Untitled
colin-vian: Mark Rothko fotografato da Alexander Liberman nel 1964.
dailyrothko: BonusHerbert Matter, Mark Rothko’s studio
dailyrothko:Alexander Liberman, Mark Rothko in his studio with chapel paintings, 1965
dailyrothko: Alexander Liberman, Mark Rothko in his studio with chapel paintings, 1965
weepling:Mark Rothko, Untitled, 1949
likeafieldmouse: Mark Rothko - No. 3/No. 13 (1949)
dailyrothko: Mark Rothko, 1968
dailyrothko: Mark Rothko, Plum and dark brown, 1964
dailyrothko: Mark Rothko, 1954
dailyrothko: Mark Rothko,untitled, oil on paper
dailyrothko: Mark Rothko, untitled, 1950
dailyrothko: Mark Rothko, No 1, 1949
artimportant: Mark Rothko - Untitled, 1960 oil on canvas
dailyrothko: Mark Rothko, Untitled (Black on Grey), 1969/1970, Acrylic on canvas80 1/8 x 69 1/8 inches (203.3 x 175.5 cm)
dailyrothko: Mark Rothko, green over blue, 1956
dailyrothko: Mark Rothko, No. 2 (Blue, Red, Green), 1953
importantmodernart: Untitled, 1949 Mark Rothko
dailyrothko: Mark Rothko, untitled, 1959
dailyrothko: Mark Rothko, Untitled / No. 28, 1962
dailyrothko: Mark Rothko, Untitled,1968, acrylic on paper
dailyrothko: Mark Rothko
dailyrothko: Mark Rothko, Untitled, 1958
dailyrothko: Mark Rothko, No. 37, 1956
dailyrothko: Mark Rothko , Saffron, 1957
dailyrothko: Mark Rothko, No. 7, 1951
dailyrothko: Mark Rothko, No. 20 (Yellow Expanse),1953 At almost 10-feet-tall and 15-feet-wide, this monumental canvas hung in the Oak Spring Garden Library of Bunny Mellon’s home in Upperville, Virginia.
dailyrothko: Mark Rothko, Untitled (White over Red), 1957
dailyrothko: Mark Rothko, No 16, 1957
dailyrothko: Mark Rothko, Untitled, 1947
dailyrothko: Mark Rothko, Untitled, 1950
dailyrothko: Mark Rothko, No 12, 1949, oil on canvas, 171-61-x-108-11
dailyrothko: Mark Rothko, Untitled, 1949, Oil on canvas
dailyrothko: Mark Rothko, Untitled, Red over brown, 1967 Oil On Paper, Mounted On Canvas 31 x 23 in.
dailyrothko: Mark Rothko, No. 14 (untitled), 1955
artist-rothko:Sacrifice of iphigenia, 1942, Mark Rothko
dailyrothko: whorological:nobrashfestivity:dailyrothko: Mark Rothko, Rothko in Black and White Black white photos from the Guggenheim retrospective No 10, 1950 Untitled (Black on Dark Maroon) 1964 Untitled (Brown, Green, Green-grey on Deep Brown)
dailyrothko: DAILY ROTHKO BONUS: Mark Rothko, maquettes for the installation of seagram murals at tate gallery.
dailyrothko: Mark Rothko, Untitled, 1968, Acrylic on paper laid down on panel Happy new year, Rothko lovers
cleoselene: Works of Art I Want to See Before I Die — 1/? — Black on Maroon — Mark Rothko The painting comes from one of three series of canvases, painted by Rothko in 1958–59, produced as a commission for murals for The Four Seasons Restaurant in New
dailyrothko: DAILY ROTHKO BONUS: Mark Rothko’s hard painted Christmas card.
![themaninthegreenshirt:Mark Rothko - No. 1 [Painted in 1949] is one of the artist’s earliest examples of his mature artistic vocabulary, dating from the pioneering year of his practice and was first shown in 1950 as part of his historic solo exhibition](https://31.media.tumblr.com/328e838bbd67ca2166508d2817a4b0fe/tumblr_okaxx4cQ2O1so28u7o2_r1_250.jpg)
