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metalonmetalblog: Paul Rubens (1577-1640) Flaggelation of Christ
100artistsbook: Peter-Paul Rubens (1577-1640) La Chasse au Tigre
disturbthebookmites: Portrait of Philippe I de Croÿ, Rogier van der Weyden, c. 1640
centuriespast Man with a Skull by Jusepe de Ribera Date painted: 1630–1640 Oil on canvas, 68 x 87 cm Collection: Museums Sheffield
necspenecmetu: Pietro della Vecchia, Saint Sebastian, c. 1640-60
drawingdetail: Peter Paul Rubens (1577–1640), Study of a Male Figure, Seen from Behind. Charcoal heightened with white, 35.7 x 28.5 cm. Fitzwilliam Museum, Cambridge.
necspenecmetu: Jean de Reyn, Lute Player, c. 1640
necspenecmetu: Lorenzo Lippi, The Triumph of David, 1640s
necspenecmetu: Francesco Albani, The Baptism of Christ, c. 1640
wine-loving-vagabond-blog: Portrait of a Young Man, c. 1640. Eustache Le Sueur
Francisco de Zurbarán, Christ Crucified with the Sponsor, 1640 From the Museo del Prado
peira: Johannes Verspronck: Andries Stilte as a Standard Bearer (1640) via Gandalf’s Gallery
monsieurleprince: Luca Ferrari (1605 - 1654) - Allegory of Jealousy, circa 1640-50
blastedheath: Diego Velásquez (Spanish, 1599-1660), Portrait of a Man (possibly José Nieto), late 1630s-early 1640s. Oil on canvas, 76.3 x 65.3 cm. The Wellington Collection, Apsley House, London.
necspenecmetu: Gerard Seghers, Saint Sebastian, c. 1640-50
centuriespast: RUBENS, Pieter Pauwel (b. 1577, Siegen, d. 1640, Antwerpen) Samson and Delilahc. 1609Oil on wood, 185 x 205 cmNational Gallery, London
drawpaintprint: Peter Paul Rubens (Flemish, 1577–1640): Anatomical Studies: A Left Forearm in Two Positions and a Right Forearm, 1600–1608Drawing, pen and brown ink 10 15/16 x 7 5/16 in. (27.8 x 18.6 cm)
necspenecmetu: Andrea Vaccaro, Saint Sebastian, c. 1640
beardbriarandrose: Peter Paul Rubens (Flemish, 1577-1640), Anatomical studies of three male nudes. Pen and brown ink and wash and black chalk, 291 x 191 mm.
Attributed to Peter Paul Rubens (Flemish, 1677-1640), The Farnese Hercules. Red chalk, 42.50 x 22 cm.
Anatomical studies. 1600-09. Peter Paul Rubens. Flemish. 1577-1640. drawing, pen and brown ink. Metropolitan Museum of Art. NYC.
The resurrection of Christ. 1612. Peter Paul Rubens. Flemish. 1577-1640.
Drawing after Michelangelo. 1601-02. Peter Paul Rubens. Flemish. 1577-1640. red chalk on paper. British Museum. UK.
Guido Reni, The Blessed Soul, c. 1640-2
Andrea Vaccaro (1604-1670) The Martyrdom of St Sebastian, c.1640
Male Nude Study. Peter Paul Rubens. Flemish. 1577-1640. chalk on paper.
Bernardo Cavallino. The Drunkenness of Noah, c. 1640-5
Time clipping the Wings of Love. 18th.century after Anthony Van Dyck. James MacArdell. British. 1729-1640. mezzotint.
Jacob van Campen (Dutch 1596-1657), Argus, Mercury and Io, circa 1630-1640
The Emperor Commodus as Hercules and Gladiator. 1597-1600. attributed to Peter Paul Rubens. Flemish 1577-1640. oil/canvas.
Martyrdom of St.Lawrence. 1621. Lucas Vorsterman. Flemish 1595-1675. after Peter Paul Rubens. Flemish 1577-1640. engraving.
Unknown Artist, The Locksmith (c. 1630-1640s)
Man Holding Banner. 17th.century. Giuseppe Cesari. Italian 1568-1640. black chalk on paper.
maertyrer:Jacques de l'AngeThe Martyrdom of St. Lawrenceoil on canvas, 220 x 170 cm, 1640-44
hadrian6:Detail : The Four Ages of Humanity According to Ovid’s Metamorphoses: The Silver Age . 1682. Gerard de Lairesse. Dutch. 1640-1711. grisaille, oil/canvas. http://hadrian6.tumblr.com
history-of-fashion:ab. 1640 Michael Sweerts - Portrait of a Man(Rockox House)
beyond-the-pale: Follower of Michelangelo Merisi da Caravaggio - Archimedes drawing a geometric shape, c. 1640 Sotheby’s
montair:Simon Vouet, Two Crouching Nude Male Figures, c.1640
designedfordesire: Study of a Standing Male Nude (1595), Giuseppe Cesari (1568-1640)aic-drawings (via cma-prints)
merlge: Matthias Stomer. Gaius Mucius Scaevola in the Presence of Lars Porsena (fragment), 1640s
langoaurelian:Peter Paul Rubens (1577 – 1640) “Two Prisoners Chained,“1600-1608according to Francesco Salviati (1510 –1563)
rockchickana: Saint Paul by Lluís Ribes Mateu Via Flickr: 1640-1650. Oil on canvas. 103 x 76 cm. Private collection.
klassizismus:Details: The Abduction of Ganymede, 1612, by Peter Paul Rubens (Flemish, 1577-1640)
beyond-the-pale: Cavaliere d'Arpino (Giuseppe Cesari) 1568-1640
Peter Paul Rubens (1577-1640)Cronus devours one of his offspring (Detail)Oil on canvas, 1636This is my new favorite.Pedophille
centuriespast: Coffin of Nakhtkhnum (with details)Period: Middle KingdomDynasty: Dynasty 13Date: ca. 1802–1640 B.C.Geography: From Egypt, Middle Egypt, Meir (Mir), Khashaba excavationsMedium: Wood, paintThe Met
1910-again: Georges de La Tour, The Penitent Magdalen c.1640 But many are convinced that there is some difficulty in knowing God, and even knowing what their soul is. The reason for this is that they never raise their minds above things which can be
slojnotak: Andrea Vaccaro - Tobias Meets the Archangel Raphael (circa 1640)
iamveryamused: The Gold Room of The Bank of France, formerly the Hôtel (town palace) of the Count of Toulouse, son of Louis XIV and Madame de Montespan, built between 1635 and 1640. Confiscated as a bien national (“national property”) during the
lacigreen: theoddmentemporium: This is a reusable condom dat[ing] back to 1640 and completely intact, as is its orginal users’ manual, written in Latin.The manual suggests that users immerse the condom in warm milk prior to its use to avoid diseases.The
deerthing: boyswanna-be-her: youremybrandnewday: boyswanna-be-her: This picture i took of hector while i was drunk last night looks like a damn renaissance painting Hector Hector georges de la tour, la madeleine a la hector, 1640
ir-dr: Day 1640 - 28 June 2015Tiny Assassin.//projectTiGER
design-is-fine: Jacques Joly, Skull clock, 1640. France. Via skd-online
thedogsofarthistory: Dog with a Biscuit and a Chinese Cup by Giovanna Garzoni, 1640s
meditations-poetiques: Antoine Coysevox, 1640-1720 Nymph with a shell. Marble, 1685. Variation after Ma 18, a Roman statue then in the Borghese collection, now exhibited in the Department of Greek, Etruscan and Roman antiquities in the Louvre—which
classic-art: Saint Joseph the Carpenter Georges de La Tour, 1640’s
c0ssette: “The Madonna at Prayer” detail,Giovanni Battista Salvi da Sassoferrato (1640-50)
![lacigreen: theoddmentemporium: This is a reusable condom dat[ing] back to 1640 and completely intact, as is its orginal users’ manual, written in Latin.The manual suggests that users immerse the condom in warm milk prior to its use to avoid diseases.The](https://64.media.tumblr.com/tumblr_m6lu4rfGpF1rnseozo1_250.jpg)
