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tohjiro: Three Slave Women - Pink EigaASAMIRope : Ranki Kazami
schwein-child:Ranki Kazami
gestalta: Kazami Ranki / Gestalta / Torture Garden Birthday Ball 2013 Photo by Bobette
silvanusart: Kazami Ranki with Gestalta - Their relationship through rope. To submit to another, To exercise authorityTo relinquish control, To take responsibilityTo trust, To be responsibleTo risk, To judge and decideTo suffer at the hands of, To test,
goodmorningm0therfucker: Model: Miho WakabayashiRopes: Ranki Kazami
goodmorningm0therfucker: Ropes: Ranki Kazami
tohjiro: Rope : Akira Naka & Ranki Kazami & Nawashi KannaActress : Karin Itsuki
tohjiro: The Snake & The Ogre Professional Killer Kayo Waki Kanon Rope : Ranki Kazami & Nawashi Kanna
schwein-child: Ranki Kazami
boshai: "The Physical Impossibility of Death in the Mind of Someone Living, with Apologies to a Shark" Featuring Cannon fishbone harness, DV8 Clamshell Hip Harness, Kazami Ranki Mermaid Tie to finish. Rope and photos by my love
seeinglines: Video season: Footage from the 2011 London Festival of the Art of Japanese Bondage.Featuring Kinoko Hajime, Kazami Ranki, Esinem and others. © Bob Bentley
tohjiro: Rope : Ranki Kazami
gestalta: silvanusart: Behind the scenes Model is Gestalta. Rigger is Kazami Ranki
silvanusart: Behind the scenesModel: GestaltaRigger: Kazami Ranki
silvanusart: Left Suspended Model: GestaltaRigger: Kazami Ranki
silvanusart: Suspension Kazami Ranki with Gestalta The untying is just as important as the tying and so is the recovery afterwards. Notice that Kazami tied Gestalta to the overhead beam while he tied her legs together. If she stumbled, she would
goodmorningm0therfucker: Ranki Kazami
gestalta: www.gestalta.co.uk From one of the performances that Kazami Ranki and I did at LFAJRB 2012. Photography by Patrick Siboni.
silvanusart: A touching and moving full suspension by Kazami Ranki and Gestalta.Always respectful, trusting, caring, consensual, beautiful and very moving. I particularly liked the Gestalta’s warm smile as Kazami hugged her towards the end.
