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A free spirit takes liberties even with liberty itself. Francis Picabia I so relate to her :)
silvianavarro: Rene Clair and Francis Picabia’s breakthrough, reversible ending of their Dadaist film, L’entr-acte (1924)
almavio:Francis Picabia (1879 - 1953) • Nu lisant, ca. 1941-1942
leauverte: Five Women - Francis Picabia
thorsteinulf: Francis Picabia - Viareggio (1938)
oldroze: Francis Picabia. Young Girl-Jeune fille. 1912. Oil on canvas. 100 x 81 cm. Private collection “Georg mi regalò un'asse verde e tonda con un manico. Sull'asse c'erano sette galline gialle, rosse e bianche. Attraverso i loro colli e
Erik Satie.-
christiesauctions:Francis Picabia (1879-1953)Volupté The Art of the Surreal
André Breton at a Dada festival in Paris on March 27th, 1920, wearing a sandwich board with text from Francis Picabia that reads: "In order to love something you have to have seen or heard it for a long time you bunch of idiots.“
391 N° 14 NOVEMBRE 1920 PAGE 3 PUBLIE PAR FRANCIS PICABIA391 était un périodique créé et édité par le dadaïste Francis Picabia . Il est paru la première fois en Janvier 1917 à Barcelone , et a continué à être publié jusqu'en 1924. Picabia
nevver:Francis Picabia
kvetchlandia: Francis Picabia Portrait de femme aux allumettes, No 1 c.1923 “Pain has its reasons, pleasure is totally indifferent.” Francis Picabia
amare-habeo: Francis Picabia (1879-1953) Woman on green background (Femme sur Fond Vert), 1938 (same woman on his another picture)
amare-habeo: Francis Picabia (1879-1953) Montparnasse, ca. 1941-42
Francis Picabia (Paris 1879 - 1953), The Moret Canal, Autumn Effect (1909)
Francis Picabia (Paris, 1879 - 1953), Farm at La Petite Mare, 1907; oil on canvas, 92 x 73 cm
theegoist:Francis Picabia (French, 1879-1953) - Au Thé Tre, oil on canvas, 117.00 x 89.00 cm (1935)
iconophages: Rene Clair and Francis Picabia’s breakthrough, reversible ending of their Dadaist film, L’entr-acte (1924)
grigiabot: Francis Picabia
spectrumvivace: Au château de Mai, Nusch Eluard et Francis Picabia accroupi tenant un de ses tableaux transparence semblant représenter Nusch et Paul Eluard. Circa 1930
colin-vian:Francis Picabia 1917
photoaventures: Francis Picabia, Fantaisie, in 291, No. 10-11 (New York, December 1915-January 1916), p.3.
topcat77:Francis Picabia
odiprofanumvulgus: Rene Clair and Francis Picabia’s breakthrough, reversible ending of their Dadaist film, L’entr-acte (1924
colin-vian: Francis Picabia 1922
editionsmatiere: Francis Picabia, étude de costume pour le ballet Relâche chorégraphié par Jean Börlin (musique Érik Satie), 1924
themodernartists:Francis Picabia (1879-1953), L’Adoration du veau (The Adoration of the Calf), 1941-1942. Oil on board.
blueruins: Masque Ouvert (1931) by Francis Picabia
Francis Picabia (French, 1879-1953), Homme dansant. Gouache, grey wash and charcoal on paper, 31.7 x 23.5 cm.
Jean Cocteau par Francis Picabia 1921
portraitsgallery: Francis Picabia, Tristan Tzara, 1925
Francis Picabia - André Breton at the Dada Festival Wearing a Target (designed by Francis Picabia for his theatre production “Festival manifeste presbyte”)photography - March 27, 1920
Rene Clair and Francis Picabia’s breakthrough, reversible ending of their Dadaist film, L’entr-acte (1924
caraincertezza: Francis Picabia
lamelancoly: Francis Picabia-Les Amoureux (Après la pluie), 1925 ( Collection André Breton)
igormaglica: Francis Picabia (1879-1953), Femmes au Bull-Dog, 1940-42. oil on cardboard, 105 x 76 cm
bartleby-company: Francis Picabia
gatakka: Man Ray & Francis Picabia - “La revue Littérature”, 1922-1924.
tremendousandsonorouswords:Francis Picabia, Sans titre, couverture de Littérature, nouvelle série, n°11-12, 15 octobre 1923, 1922-1923
artist-picabia: Villica safe, 1929, Francis Picabia Medium: oil,canvas
crumbargento: Entr'acte Directed by René Clair & Francis Picabia - 1924 - (20 min)
colin-vian: Francis Picabia - La Prière, 1932. Pastel, brush and India ink and charcoal on paper, 25.12 x 18.12 in. (63.82 x 46.04 cm). Private Collection
atmospheric-minimalism: Francis Picabia (French, 1878-1953)
surreelust: A Transparency by Francis Picabia let’s grow old together
magictransistor: Francis Picabia. Transparencies. 1929-1931.
nevver: Francis Picabia
igormag: Francis Picabia (1879–1953), Révérence / Reverence, 1915.oil and metallic paint on board, 100 × 100 cm
thunderstruck9: Francis Picabia (French, 1879-1953), Couple amoureux, c.1924. Mixed media on board, 103.8 x 72.5 cm.
igormaglica: Francis Picabia (1879–1953), Woman Looking at a Photograph, 1930s. colored pencil, ink, graphite on paper
loverofbeauty: Francis Picabia (1879‑1953) - Le Beau Charcutier (c.1929-35)
aubreylstallard: Francis Picabia
nataliakoptseva: Francis Picabia - Sous les Oliviers (Coquetterie)
givemesomesoma: Francis Picabia Transparence 1930
colin-vian: Francis Picabia 1943
dappledwithshadow:Francis Picabia(French, 1879 - 1953)
goodreadss: Francis Picabia - Sous les Oliviers
nicecollection: Francis Picabia - Ultramarine, 1949, oil on canvas, 35 × 24 cm
topcat77: Francis Picabia Transparence (Deux Tetes)
