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Cucel, being awesome from 1875-1954. vanfullersublime: The Bathing Place, Edward Cucuel Visit: http://fullerart.tumblr.comor http://www.vanevanfuller.com
les-sources-du-nil: Rudolph Carl Huber (circle of) [Nude woman sitting on carpet with her back against a wall] Cairo, Egypt, 1875-1876 (Ken & Jenny Jacobson Orientalist Photography Collection)
les-sources-du-nil: Lucien Gauthier (1875-1971) Samoa, femme allongée dans la végétation, circa 1910
jonilover: Reading, Toraji Ishikawa(1875-1964, Japanese)
pupuplatter: Félix Resurrección Hidalgo, El Pescador de Sacag, 1875, Museo Nacional de Antropología.
Pelo d’Autore n° 1875 Donna fantastica….
nulladiessinelinea:Après le Bain After the Bath William Adolphe Bouguereau (William Bouguereau) Oil on canvas 1875
c0ssette: John William Waterhouse,1875,Miranda.The tempest (detail)
Joseph Crocé-Spinelli and Henri-Théodore Sivel, lovers and adventurers, set out in 1875 to break the world record of the highest altitude ever reached via balloon, using supplemental oxygen to overcome the altitude sickness. After floating up to nearly
ce-sac-contient: Gustave Caillebotte (1848–1894) - L’Yerres, effet de pluie (The Yerres, Effect of Rain), 1875 Oil on canvas (81 x 59 cm) Indiana University Art Museum Photography: © Michael Cavanagh and Kevin Montague
Lovers in the Grass, by Alois Kalvoda (1875-1934)
solarcult: Athena Engraving 1875
novastarna: Hans Makart, The Death of Cleopatra (detail) 1875
blastedheath: pmikos Edward Cucuel (American, 1875-1954), A Frozen Lake in a Mountainous Winter Landscape. Oil on canvas, 80 x 80 cm.
catonhottinroof: Peter Skovgaard (1817-1875)Forest lake in the moonlight, 1837
soul-of-an-angel: Claude Monet • Woman with a Parasol 1875
antipahtico:The Crown of Love ~ John Everett Millais 1875
ifpaintingscouldtext: Delphin Enjolras | The Murmur of the Sea | c.1875
likeafieldmouse: James Whistler - Nocturne in Black and Gold: The Fire Wheel (1875)
julietjardin: Jules Dupre | “Avondstond” 1875-1880 (at The Netherlands, Amsterdam.)
Les raboteurs de parquet / Gustave Caillebotte 1875
er-48-fickt-dich-durch: 1875
The Floor Scrapers (1875)One of my favorite paintings ever.
compos-h-er: Louise Farrenc (1804-1875, France) Trio No.4 in E minor (Op.45, 1857) for Flute, Cello & Piano I. Allegro deciso II. Andante (III. IV.) Midsummer’s Music
kecobe: Jean Nicolas Laugier (French; 1785–1875) after Louis Hersent (French; 1777–1860)Daphnis et Chloé = Daphnis and Chloe Etching and engraving, on chine collé, 1817 The British Museum, London; © The Trustees of the British Museum
blastedheath: Mstislav Dobuzhinsky (Russian, 1875-1957), Set design for Tannhäuser. Tempera on canvas.
Frederick Coffay Yohn (1875 - 1933)
antipahtico: Anonymous Halloween Photographs 1875/1955
paintingispoetry:Alexandre Cabanel, The Birth of Venus, 1875
les-sources-du-nil: Nu sur un grand-bi (Nude on Penny Farthing). Anonymous, 1875
perfectcherryblossomfox: Lucien Gauthier (1875-1971) - Vahine arii Tahiti 1925
morthils: morthils: imagine hearing “hall of the mountian king” for the first time in 1875. the sheer chaos imagine being some norwegian aristocrat and sitting down for a nice day at the symphony and getting your entire wig and life snatched right
talonabraxas: Venus by Alexandre Cabanel (1875)
eudaemaniacal:stuffaboutminneapolis: Dog with pipe in mouth (1875) by the Minnesota Historical Society some enterprising minnesotan, bobbing behind us on the wake of history, clearly had the right idea
madamelesfressange: Islamey (Ludwig Deutsch)“Born Vienna, 1855; d Paris, 1935 is an Austrian Painter. After studying at the Vienna Academy of Fine Arts from 1872 to 1875, Austrian-born
fawnvelveteen: Afternoon dress, by the House of Worth, ca. 1875. Philadelphia Museum of Art
nobrashfestivity: James Abbott McNeill Whistler, 1875, Nocturne in Black and Gold
La Ghirlandata, 1873, di Dante Gabriel Rossetti ;Veronica Veronese,1872, di Dante Gabriel Rossetti; Perdita, 1875, di Anthony Frederick Sandys Florence Welch
yesterdaysprint: salparadisewasright: @saintapathis Beautiful! Belmont Chronicle, Saint Clairsville, Ohio, March 11, 1875
“Do not look for my heart anymore; the beasts have eaten it.” ~Charles Baudelaire, Flowers of Evil (1875)
sumisa-lily: “Do not look for my heart anymore; the beasts have eaten it.” ~Charles Baudelaire, Flowers of Evil (1875)
chaosophia218: Thomas Hope - Elements of the Roman Equipment, “The Costume of the Ancients”, 1875. @celticknot65
bernardisgross: To the artist, the forest is an asylum of peace and dancing shadows. John F. Carlson (May 05, 1875 - May 19, 1947) born in Sweden American impressionist
“Soapman,” circa 1800s A new type of mummy was found in the late 19th century… in Philadelphia. The unexpected find was unearthed by accident during a construction project in 1875. There are different accounts as to why the remains were being
fuck-me-in-heels: Follow for more daily pictures in high res. (via iJ1pPPC.jpg (3333×1875))
detailsofpaintings: Hans Makart, The Death of Cleopatra (detail) 1875
beyond-the-canvas: Gustave Courbet, The Castle of Blonay, 1875.
John Atkinson Grimshaw - The Lady of Shalott 1875
viridi-luscus-monstrum: Flora and Zephyr, William-Adolphe Bouguereau, 1875
Charles Lauri (Junior) with cat and horse, c 1875-80.
Woman found in Pompei in 1875.
Portraits de Canaques, Nouvelle-Calédonie, ca. 1875.
Tintype Witches, 1875.
caillebotteimpressionist: The Floor Scrapers - 1875 On view at the Musée d'Orsay, Paris Painted in 1875, this work illustrates Caillebotte’s continued interest in perspective and everyday life. In the scene, the observer stands above three workers
peashooter85:Factory engraved Marlin No. 32 Standard 1875 revolver with Degresse tiffany style grips, produced between 1875 and 1887.from Rock Island Auctions
4men-who-like-it-hot: Auguste Rodin, The Bronze Age (1875). Auguste Rodin‘s The Bronze Age (1875/76): The patriarch of modern sculpture may be best-known for another, more pensive nude figure—The Thinker—but his personification of the bronze
likeafieldmouse: Gustave Caillebotte - The Floor Scrapers (1875-6) Original on top, later version below “Despite the effort Caillebotte put into the painting, it was rejected by France’s most prestigious art exhibition, The Salon, in 1875. The
likeafieldmouse: Gustave Caillebotte - The Floor Scrapers (1875-6) Original on top, later version below “Despite the effort Caillebotte put into the painting, it was rejected by France’s most prestigious art exhibition, The Salon, in 1875. The depiction
womansart: Fidelia Bridges (American painter) 1834 - 1923Thistle in a Field, 1875 oil on canvas 35.56 x 25.4 cm. (14 x 10 in.) signed and dated lower right “F. Bridges 1875”
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