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Shut Up - Savages
blackv: Debbie Lyddon (via CV)
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orphanwork: Fred Herzog, Wild Animal, 1960
childofthemountains: flickr
catdad: God dammit.
mianoti: Anyone who can be replaced by a machine deserves to be. (Unknown source) Yaniv Waissa * Series: The Storm Still Rages Inside thanks a lot to Hans Jacob Haarseth * Lumber room thanks a lot to
loverofbeauty: Bathers by yumna al-arashi
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nevver: “I am a lie that always speaks the truth.” ― Jean Cocteau
furtho: From Taiyo Onorato and Nico Krebs’ series The Great Unreal (via Taiyo Onorato & Nico Krebs)
jesuisperdu: joan colom
cosmicslipper: Acid Pauli - Get Lost V mix
As Tears Go By Rolling Stones
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Ice flow song - The Mighty Boosh
mpdrolet: From In These Woods Jesse Chehak
yama-bato: Il neige encore et encore…
cetaceous: 1905 Hammond Model 12 Curved Keyboard Typewriter
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foxesinbreeches: El Venadito (The Wounded Deer) by Frida Kahlo, 1946
aparemfaton: showmethe-monet: Francis Bacon - Two Figures at a Window (1953) Bacon’s painting are just so… And actually “Love Is the Devil: Study for a Portrait of Francis Bacon” is an interesting film
howtoseewithoutacamera: by Ferdinando Scianna Jorge Luis Borges, Palermo, 1984.
firsttimeuser: Sirocco, 1968 by José Ortiz Echagüe
de-salva: Marino Marini - Juggler Marino Marini: http://en.wikipedia.org/wiki/Marino_Marini_(sculptor)
explore-blog: For his 100 Day Project, part of the School of Visual Arts Masters in Branding program, Tyler Adam Smith is designing 100 books that should be written.
itchybonbons: Me and my best friend, Amanda.Conquering the paved hills of a sheetrock theme park.We ran from France to Germany for a piece of chocolate cake.
miharukato: Nobuyoshi Araki
pnguye: saída com raiva, helena almeida, 1982
https://64.media.tumblr.com/de0430a509a6cf10538c92e1d6d38d5a/tumblr_mfdxloZQpd1qbihdzo1_500.jpg
hadrian6: Sonno grande. 2004. bronze. Igor Mitoraj. Polish. 1944 - http;//hadrian6.tumblr.com
reckon: derrierelasalledebains: William Burroughs & Brion Gysin. 1965, The Third Mind.
atavus: Magdalena Jetelovà - Domestication of a Pyramid, 1991
hanjeanwat: Hexagonal rocks-WUT: The columns form due to stress as the lava cools. The lava contracts as it cools, forming cracks. Once the crack develops it continues to grow. The growth is perpendicular to the surface of the flow. Entablature is probab
justinearsing: It’s funny, out of the thousands of pictures I have taken, I can always recall everything that happened that exact day when I look at a picture. This was the only good part of this particular day. When we first got into this building
memedesima-72: technicolor lover on We Heart It - http://weheartit.com/entry/36725723/via/vaparra_va
By Nick D. Woods
riyuo: 。
ravenoussouls: “UP…”
strangeryou: Nerea, 2012 by Sergio Albiac
nearlya: Sophie Calle, “Doleur Exquise, Road”
greeneyes55: Paris 1949 Photo: Robert Doisneau
cavetocanvas: Helen Levitt, New York (A boy lifting up a girls dress in front of other children), 1942
museumuesum: Cy Twombly Quattro Stagioni: Estate, 1993-5. Acrylic and pencil on canvas support: 123.7 x 84.75 inches
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solituderecifetoile: I love you Pam Grier!!!
triplecanopy: TRIPLE CANOPY IN TEXAS WILL SOUND A LOT LIKE THIS. On April 9, editor Alexander Provan is on a panel at the Modern Art Museum of Fort Worth; and on April 10, he joins Peter J. Russo and William S. Smith in a classroom at Southern Methodist
pigmenting: Wuhan Meihua Park by Yves
C.W. Stoneking ~ The Love Me Or Die
alanknox: The image above is from Breda Beban’s 2000 series “The Miracle of Death” in which Beban photographs the ashes of her recently deceased partner in various locatipons around her home as she struggles to come to terms with her loss. The
museumuesum: Lucien Freud Girl with a White Dog, 1950-1951 oil on canvas, 30” x 40”
bjorkfr: Tim Bauer (1994)nouvelle photo grand format
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mpdrolet: Quantic—Time is the Enemy **married with the famous 1906 short film of San Francisco’s Market Street, four days before the big quake
kingmanphoto: Ani Ruins 1 on Flickr.
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nevver: MoMA
weissesrauschen: untitled by Ester Grass on Flickr.
vjeranski: Predestination, Minjung Kim, 2012.