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art-of-swords: Wakizashi Momoyama Sword Dated: 16th Century Culture: Japanese Medium: steel, iron, gold, lacquer Measurements: overall length: 91 cm. Blade lenght: 53 cm Attributed to Bishu Osafune Sukesada, Momoyama Period The blade is a shinogi-zukuri
japaneseaesthetics: Armor with the features of a tengu (tengu tōsei gusoku), Late Edo period, 1854, Japan. Iron, lacquer, plant fibers, brocade, feathers, fur, © The Ann & Gabriel Barbier-Mueller Museum, Dallas
workman: heracliteanfire: Japan, ca 1842. (via British Museum)
japaneseaesthetics: Samurai battlefield sleeves (kote); Signed Myōchin Ki no Munesada saku (made by Myōchin Ki no Munesada); Mid-Edo period, 1790s, Japan; Iron, silver. © The Ann & Gabriel Barbier-Mueller Museum, Dallas
virtual-artifacts: Mask Inscribed by Myochin Muneakira (Japanese, Edo period, 1673–1745) Date: dated 1713 Culture: Japanese Medium: Lacquered iron
collectorandco: door to shrine / japan
thisishowtheworldends: Dragon and Waves (c. 1827 - 1831) by Utagawa Kuniyoshi [Source]
explodingrocks: Demon Kawari Kabuto Samurai helmet). Mid Edo Period, 18th century, JapanThe simple iron bowl built up to form a naga eboshi with a modeled demons head on the front, the surface of the bowl with a textured finish lacquered gold. On either
abystle: Seated Rāgarāja (रागाराजा)/Aizen Myō’ō (愛染明王), Kamakura Period, 13th-14th century, Japan.
heracliteanfire: Fox Mask: Kitsune. Japan, late 19th century (via Fox Mask: Kitsune | LACMA Collections)
thekimonogallery: A pair of two-fold screens “Fujin and Raijin” by Tawaraya Sōtatsu, property of Kennin-ji temple, Kyoto, Japan. : National Treasure of Japan. Photography by eagle 1 on photohito
explodingrocks: Demonic Head Netsuke in Boxwood. Meiji period, late 19th century, JapanCarved as a demonic head with a wide open mouth inlaid with bone fangs and bushy eyebrows framing large eyes of horn and mother-of-pearl, signed Chokuichi/Naokazu.
japaneseaesthetics: A water flask for use when travelling . wood covered with natural lacquer, decorated with techniques of hiramakie, takamakie, sabiage a raden, inlaid with plumb and furnished with silk cords . 18th Century - 19th Century; around
virtual-artifacts: Fuchi-kashira with designs of Hannya mask and horse Japanese Early 19th century
leuc: Utagawa Kuniyoshi: Black Carp
varietas: Arne Lind: TOKONOMA, ROYAN-JI KYOTO NOVEMBER 1984.
japaneseaesthetics: Sekiran (Japan, circa 1800 - circa 1875) Crouching Tiger, mid- to late 19th century Netsuke, Bamboo with inlays. Raymond and Frances Bushell Collection . LACMA
fishstickmonkey: Netsuke: Beshimi Mask Place of creation: Japan Date: Second half of the 19th century School: Edo Material: wood Technique: carved, lacquered Dimension: 5,2x4,6 cm Inventory Number: ЯР-1327
japaneseaesthetics: Gigaku Mask Karura (Garuda). Nara period, 8th century, Japan. Wood (paulownia) with polychrome. Todaiji temple, formerly in the collection of Hara Sankei (Tomitaro). Miho Museum, Japan
japaneseaesthetics: Yuki-chu tiger Figure. 1849, Japan, by Katsushika Hokusai. The artist created this at the age of 88
japaneseaesthetics: “Shoki sitting”. 1844, Japan, by Katsushika Hokusai
japaneseaesthetics: An iron articulated model of a dragon fish Edo period (18th - 19th century), signed Muneyoshi (Myochin Muneyoshi) The russet-iron dragon fish finely constructed of numerous hammered plates jointed inside the body; the mouth opens,
drawpaintprint: Second half 18th century by artist Ito Jakuchu Japan
japaneseaesthetics: Frontal crest (maedate), mid-Edo period, 18th century, lacquer, gold, horsehair. Photograph by Brad Flowers © The Ann and Gabriel Barbier-Mueller Museum, Dallas. Courtesy Museum of Fine Arts, Boston
japaneseaesthetics: Surcoat (jinbaori), mid Edo period, 18th century, wool, silk, brocade. Japan. Photograph by Brad Flowers © The Ann and Gabriel Barbier-Mueller Museum, Dallas. Courtesy, Museum of Fine Arts, Boston
fishstickmonkey: Demon at the Setsubun Purificatory Ceremony Place of creation: Japan Date: Middle - second half of the 19th century School: OsakaState Hermitage Museum
centuriespast: Sword Guard (Tsuba)Date: 19th centuryCulture: JapaneseMedium: Copper, copper-silver alloy (shibuichi), copper-gold alloy (shakudō), gold, silverThe Met
kogeikiso: 平成26年度 藝祭 工芸科の神輿です。
gentlecar: 1969 Porsche 911T
良い意見は、それを言ったのが嫌いな人間であっても、取り入れること。
1 4 3 0
suckxatlove: Different curtains at the Kabuki.
suckxatlove: Akihabara.
jerry-jacques: Rythmhttp://ift.tt/1D4ReqW A traditional house in Sankei-en Garden, near Yokohama, 2014. July 15, 2014 at 10:47AM
ilikehorimono: 歌川 国芳 金魚づくし “酒のざしき” by UTAGAWA KUNIYOSHI by jiro_tftd https://instagram.com/p/20eUSKCrA9/
kagakukid: monday night madness at the go hall #severeouthere
ileftmyheartintokyo: Fushimi-inari shrine,Kyoto by mgsn on Flickr.
ileftmyheartintokyo: Sanja Matsuri by Sandro Bisaro on Flickr.
ileftmyheartintokyo: Kanda Matsuri 2015 by da_yama on Flickr.
taishou-kun: Shibaoka Hidekazu 柴岡秀和Ikite yuku 生きてゆく - Genshi 幻視 (Vision) photobook - Japan - 2000
taishou-kun: tofuist: I am a Cat (1936) https://www.youtube.com/watch?v=r45XtECdoAc Wagahai ha neko de aru 吾輩は猫である (I am a cat) poster - Director : Yamamoto Kajirou 山本嘉次郎 (1902-1974) - PCL ピー・シー・エル - Japan -
四六時中自分独りでいないと仕事ができないという人は、未熟だと考えるほうが正解だ。
忍者VAPORS(秋葉原)
20日坊主
「忘れてはいけないのは「人は自分の話を聞いてもらうことが好き」であり、「自分の話を聞いてくれる人が好き」であるという法則です(株式会社ぺリエ社長・和田裕美)
教える側に立ったとき、金運はよくなる。
身をもって体験したことは決して忘れない。またそれでこそ真の実力も養われます。厳しい時、安らかな時、いずれの体験にも素直に学び、着実に力を培っていこう。体験が血となり肉となる。
「やってられないよ」と思ったとき、「でも俺、頑張ってるよな」とつぶやいてみてください。「頑張ってる私って、結構いいな」と、自分を好きになってください。その方が生きやすくなるとは思いませんか?
xlupik: [video]
売上げは価値の総和であり、利益は工夫の総和である(森田康一)
自分を忘れ、仕事や人間に愛を傾ける人。そんな人にはすべてがひとりでにやってくる。成功も楽しみもである。(V・フランクル)
優秀な人材を雇い、働き続けてもらいたいと思うなら、多くの決断を任せなければならない(スティーブ・ジョブズ)
danillosanches: May 17 2015 Kyoto
沢山いっきに伝えようとすると、相手は全部をうっすらと受け取ろうとするから(そうしないと受け取れないから)、結局なんかぼやっとしか印象に残らない。「それを想い出せば他のことも連鎖的に思い出せる」ような記憶の主軸になる何かを一個だけ、印象的に、がつんと伝えたほうが良い。
cosplayiscool: Source:What’s Better Than Jessica Nigri Pics - How About 13 Jessica Nigri GIF’s!Cosplayiscool
IBI@Tumblr
イライラしてる時って、誰かをおこらせると、すっきりするんだよ。こころあたり、ない?あたりちらしておこらせてはっとして、罪悪感と後悔をかんじながらも、イライラはどっかにいってる自分に、こころあたりないですか?