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ognicaso: Love’s too weak a word for what I feel.

deathnskulls: Igor Moukhin

margheritedicemento: terminologist: vintage/nature

人魂で行く気散じや夏野原

ohrobbybaby: Audrey Hepburn in “How to Steal a Million” (1966)

“You will be a part of me, and I will be a part of you.”

conlaltamareaneglisguardi: ☽☯☾ why Jesus?

Sapiosexual-musa

naturaekos: ❁ more posts like this ❁

sapiosexual-musa:

seafarers: Morning in Prague by Markus Grunau

melisica: (by Phil Chester)

nubbsgalore: leaf senescence begins with the advent of the summer solstice, as the days get shorter and sun becomes more distant. trees begin to reduce the production of chlorophyll — a green pigment critical to photosynthesis — and eventually begin

il nasone del petit Garrel ❤️

ch-a-s-i-n-g: ❈ vintage ✦ vertical ❈

likeaglassgirl: quelsorrisochemannaggiaddio: Ma è bellissimo. rieccoti

fehyesvintagemanga: Kai Yukiko

Michelangelo Antonioni tiene per la vita Lucia Bosé sul set di Cronaca di un amore.

† Run, run, run away. Lost, lost, lost my mind.

st'attore mi manda un tantino (inspiegabilmente) in fissa

ccute-couples: everything love♥ (source)

joelsossa: Tough Life (2014)

ragsmartinjones: Audrey Hepburn and George Peppard on the set of Breakfast at Tiffany’s

Mon tiroir des rêves

Une femme mariée (1964), Jean-Luc Godard

horny-and-sassy: acid-interzone: trainspotting (1996) *Wannabe Pale*

acehotel: Running through the Louvre, Band of Outsiders, Jean Luc Godard.

moviescollages: There is a light that never goes out

Marlene Dietrich photographed by Milton Greene, 1953

Sei la bellezza mi amor

ALMENO QUI SI RIMA.

mimbeau: Loomis Dean Paris 1960s LIFE

Sulla schiena di Cosmina

kidgarbage: French street artist Etienne Lavie steals outdoor advertisements and replaces them with works of art [x]

Trust no one ✨

Tra il paradiso e l'inferno.

nonavropaurasesaremoinsieme: kybouge: The simplest of flaws.. opporcaputtana la mega fossetta della terza foto

deepinmyboness: “Anche col buio e i tuoni al nostro orizzonte, con tutti contro ma tu con me e io con te.”

Sulla schiena di Cosmina

frenchtwist: Three by James Herbert, 1974

firsttimeuser: The voyager by Alberto Schommer

quelmareciavevafregato: adoro.

The dream of a whole life

NANCY ERA TROPPO BLUES PER SID

moodyviolence: ragazzo-di-cenere: - 🌴

we heart piercing

modeviolet: le superfici lineari ogni tanto si innamorano degli angoli. il proibito diventa affascinante e necessario. l’etica fa un inchino al volersi geometrico.

blue-tangerine:

henry-charles-bukowski: hungryvampire: Quelli come me si svegliano alle tre e dicono che i giorni sono corti e poi quelli come me si svegliano a metà rimangono coi sogni mezzi aperti

† Run, run, run away. Lost, lost, lost my mind.

lovers © 2013 highcastle + cam damage

muriendodedeseos: The essence of decadence, Progetto fotografico di Tania Brassesco e Lazlo Passi Norberto

iwentleft: “not fitting into any man made box” from: untrustyou: Luciano Matias Dominguez

leonardpage: Leonard Page Self-portrait #3

a domani insomma

me1pomene: ”Les Fleurs du Mal” with the author’s notes

violentwavesofemotion: Alphaville (1965) dir. by Jean Luc Godard: “…light that goes, light that returns…a single smile between us. In the quest of knowlege, I watched night create day…”

iamnotagoodman: oh man i’ve never seen the whole photoset before

thelittlefawnphoto: This is for you. on Flickr. oh god

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