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A Production of The Archers, I Know Where I’m Going, The Book of the Film by Eric Britton. Adapted from the film written produced and directed for the screen by Michael Powell and Emeric Pressburger. Bought from a charity shop in Nottingham. They
Killing A Mouse On Sunday, by Emeric Pressburger (Collins, 1963). From a charity shop in Canterbury.
Black Narcissus, by Rumer Godden (World Film Publications Ltd, 1947). From eBay.
everythingsecondhand: A Production of The Archers, I Know Where I’m Going, The Book of the Film by Eric Britton. Adapted from the film written produced and directed for the screen by Michael Powell and Emeric Pressburger. Bought from a charity shop
tomasgering: Sunday Afternoon by Tomas Gering ❘ Sunday 13 October 2013 16:09, Pressburg
everythingsecondhand: Killing A Mouse On Sunday, by Emeric Pressburger (Collins, 1963). From a charity shop in Canterbury.
Bratislava, 1905
saoirseronan: “The Ballet of The Red Shoes” is from a fairy tale by Hans Andersen. It is the story of a young girl who is devoured with an ambition to attend a dance in a pair of Red Shoes. She gets the shoes and goes to the dance. For a time, all
ozu-teapot: The Red Shoes | Michael Powell / Emeric Pressburger | 1948 Moira Shearer, Anton Walbrook
davidlynch: Why do you want to dance? Why do you want to live?Well I don’t know exactly why, but… I must. That’s my answer too. The Red Shoes (1948) dir. Michael Powell & Emeric Pressburger
hubertdehippie:Black Narcissus (1947)
davidlynch: The Red Shoes (1948) dir. Michael Powell & Emeric Pressburger Drawings executed by Hein Heckroth & Ivor Beddoes
hatoriji:THE RED SHOESyear 1948 | directors Michael Powell & Emeric Pressburger
genekellys: You cannot have it both ways. A dancer who relies upon the doubtful comforts of human love can never be a great dancer. Never. THE RED SHOES dir. Michael Powell + Emeric Pressburger
patriciamara: The Red Shoes (1948) dir. Michael Powell & Emeric Pressburger
rooneymara: Life is so unimportant.
uspiria:The Red Shoes (1948) dir. Emeric Pressburger, Michael Powell
365filmsbyauroranocte:Black Narcissus (Michael Powell & Emeric Pressburger, 1947)
pristina-nomine:I couldn’t stop the wind from blowing and the air from being as clear as crystal. I couldn’t hide the mountain!Black Narcissus (1947, dir. Michael Powell and Emeric Pressburger, cinematography by Jack Cardiff)
divineandmajesticinone:Deborah Kerr as Sister Clodagh in BLACK NARCISSUS (1947) | dir. Michael Powell and Emeric Pressburger
criterioncloset:Black Narcissus (1947)dir. Emeric Pressburger & Michael Powell
criterioncloset:Black Narcissus (1947) dir. Emeric Pressburger & Michael Powell
movie-gifs:The Red Shoes (1948)dir. Emeric Pressburger, Michael Powell
adaptationsdaily:The Red Shoes (1948). Directed By: Michael Powell & Emeric Pressburger
normasshearer:KATHLEEN BYRON as Sister Ruth in BLACK NARCISSUS (1947) dir. Emeric Pressburger & Michael Powell
euo: “It is worth remembering, that it is much more disheartening to have to steal than to be stolen from” The Red Shoes (1948) dir. Michael Powell and Emeric Pressburger
ltno43: THE RED SHOES Directed by Michael Powell & Emeric Pressburger -1948 - UK
Wendy Hiller in Powell and Pressburger’s I Know Where I’m Going! (1945).
cinemaphiles: The Red Shoes (1948) dir. Michael Powell and Emeric Pressburger
everything-is-connected: wehadfacesthen: via lepoinconneurdeslilas: The Red Shoes (1948) , Michael Powell & Emeric Pressburger Gaah! This movie always gives me such chills!
strangewood-deactivated20190307: Behind the scenes of Powell & Pressburger’s The Red Shoes.
theartofmoviestills:A Matter of Life and Death | Michael Powell & Emeric Pressburger | 1946
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xwg:Black Narcissus (1947)dir. Michael Powell, Emeric Pressburger dop. Jack Cardiff
thisobscuredesireforbeauty: A Matter of Life and Death (Dir. Michael Powell, Emeric Pressburger, 1946).Source
divineandmajesticinone: Deborah Kerr inTHE LIFE AND DEATH OF COLONEL BLIMP (1943) | dir. Michael Powell, Emeric Pressburger
oldhollywood: Above, the bell ringing scene in Black Narcissus (1947, dir. Michael Powell & Emeric Pressburger) as shot on the studio lot; below, the final scene with the addition of Walter Percer Day’s glass matte painting of the Himalayas.
