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peira: Gerardo Dottori. Burning City. 1926.
peira: Bepi Romagnoni: Analysis for a Story (1961) via atlante dell’arte italiana
peira: Richard Diebenkorn: Berkeley No. 24 (1954) via the Norton Simon Museum
peira: journalofanobody: Paul Cezanne: Farmhouse and Chestnut Trees at Jas de Bouffan (1884-1885) via Norton Simon Museum
peira: Robert Delaunay: Eiffel Tower (1911-1912) via Terminartors È rosso il tuo dirottamento, rosso l'appuntamento, rosso lo smistamento, rosso l'alloggio del tuo corpo di stato maggiore.
peira: Walker Everett: Freight Station (1966) via the Smithsonian American Art Museum
peira: scottbergeyart: # 1520 “Wasabi Up The Nose”(Sold) on Flickr.
peira: Richard Diebenkorn: Man and Woman in a Large Room (1957) via the Hirshhorn Museum
peira: Morris Davidson: Riverfront (c.1934) via the Smithsonian American Art Museum
peira: Thomas Chimes: Untitled (1962) via the Smithsonian American Art Museum a volo d'uccello, così, come paracadutandosi su di un enorme Mondrian
peira: iainiainiain: Wayne Thiebaud: Down Eighteenth Street (1980) via terminators frugando nei particolari si vede la pista ciclabile più pericolosa del mondo e una scalinata, sempre sulla sinistra che, indecisa tra pioli o gradini, conduce
peira: peril: Roelant Savery: Edward’s Dodo (1626) oil on canvas, The British Museum, London La storia dell'estinzione del Dodo è raccontata da Thomas Pynchon in V.
peira: arthistorybutts: Mario Sironi: The Cyclist (1914)
peira: Amedeo Modigliani: Landscape (1919) via paintingdb
peira: Fred Shane: Clam Shell Dredge (1952) via artfixdaily
peira: Ernst Ludwig Kirchner: Drei Badende (1913) via the Art Gallery NSW
peira: Thorbjørn Lie-Jørgensen: Sol over Nødingen (1952) via Grev Wedels Plass Auksjoner
peira: William Orpen: Self-Portrait (c.1910) via The Metropolitan Museum of Art
peira: Grace Hartigan: Billboard (1957)
peira: Maximilien Luce: Factories in Charleroi, Coullet (1898) via The Athenaeum
peira: Jean Hélion: Roofs, Paris (1958) via The Metropolitan Museum of Art
peira: stilllifequickheart: Walter Farmer: Interior (1920)
peira: Marianne von Werefkin: A ‘Laube (1914-1917)
peira: Tamara de Lempicka: Still Life with Eggs (c.1941) via The Athenaeum
peira: Leon Kroll: Summer Days, Camden Maine, The Bellows Family (1916) via The Athenaeum
peira: Fritz Boscovits: Vorstadt Zirkus (1919) via Dobiaschofsky
peira: Alfred Henry Maurer: Two Heads (1928-1929) via The Athenaeum (come cipressi)
peira: Daniel Garber: Zeke’s House (1927) via The Metropolitan Museum of Art
peira: Fritz Boscovits: Zürich (1948) via Dobiaschofsky
peira: Philip Guston: To B.W.T. (1952) via Wikipaintings
peira: Constantine Maleas (1879-1928): Olympia (not dated) via Wikipaintings
peira: testamentsbetrayed: Sergei Ivanov: Firing Squad (1905)
peira: Suzanne Valadon: Eglise de Belge, Corse (1913) via Web Gallery of Impressionists
peira: Georgia O’Keeffe: Pelvis II (1944)
peira: Charles Demuth: After Sir Christopher Wren (1920) via The Metropolitan Museum of Art
peira: Fairfield Porter: Union Square, Looking up Park Avenue (1975) via The Metropolitan Museum of Art
peira: William Kienbusch: Across Four Pines (1956) via Smithsonian American Art Museum
peira: Roland Wakelin: Streetscene (c.1963)
peira: Hans Feibusch: 1939 (1939) via Tate
peira: Alvar Cawén: At the factory (1919) via Google Art Project
peira: Jenne Magafan: The Windmill (c.1937) via Smithsonian American Art Museum
peira: Edvard Munch: Self Portrait in Hell (1903)
peira: Louis Anquetin (French, 1861-1932), The Butcher’s Assistants, 1892. Oil on canvas. Private collection.
peira: Charles Sheeler: Water (1945) via The Metropolitan Museum of Art
peira: Fred Cress: The Visit (1982) via Artgallery NSW
peira: darksilenceinsuburbia: David Kelso: Blossom (2009). Color hard and softground with aquatint.
peira: George C. Ault: Hudson Street (1932) via Whitney Museum of American Art
peira: Graham Sutherland: Horned Forms (1944) via Tate
peira: Ernst Ludwig Kirchner: Double Portrait with Erna (1914-1915)
peira: Titian (Tiziano Vecellio): Crucifixion (c.1555) via Wikipaintings
peira: Giorgio Morandi: Still Life (1949)
peira: Paul Gauguin: An Orchard under the Church of Bihorel (1884) via Museo Thyssen-Bornemisza
peira: Marianne von Werefkin: Schnee über Nacht (1918) via The Athenaeum
peira: August Macke: Colored Composition of Forms (1914) via Google Art Project
peira: Charles Pollock: Man at the Well (before 1942) via Smithsonian American Art Museum
peira: Juan Gris: The Painter’s Table (1925) via The Athenaeum
peira: Erich Heckel: Parksee (1914)
peira: bofransson: Giorgio Morandi: Courtyard on the Via Fondazza (c.1954)
peira: Albert Krüger: Parishus (1924) via Stockholms Auktionsverk
peira: Rick Amor: Afternoon by the Sea (2005)
