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blackcontemporaryart: b4-16: Left: The Adoration of the Magi.Hugo van der Goes. Netherlandish. Late 15th century. Right: Wiz Khalifa love this tumblr! Still…..#theancientones
Attributed to Nicolaus Gerhaert von Leyden Netherlandish, active in Germany, 1462/73 Reliquary Bust of Saint Margaret of Antioch, 1465/70 Walnut, with traces of polychromy
bobbygio: Pieter Breughel - Netherlandish Proverbs,”To tie the devil to a pillow” (detail)
martyr-eater: Joachim Patinir (active by 1515–died 1524) — detail from The Penitence of Saint Jerome, ca. 1512–15. Following Netherlandish tradition, large-scale sacred figures dominate the foreground of the interior. The picture’s true subject,
indigodreams:lmorganreynolds: Designed by Pieter Coecke van Aelst (Netherlandish, 1502–1550). Story of Creation: God Accuses Adam and Eve After the Fall tapestry (detail of God), designed ca. 1548, woven by 1551
heaveninawildflower: October, Falling Leaves by Marie Cramer (Netherlandish, 20th century), Publisher W. de Haan Image and text courtesy MFA Boston.
history-of-fashion:ab. 1530-1550 German or Netherlandish School, 16th century - Portrait of a Man in Red
hms-surprise: Flagship Brederode. by Jan Abrahamsz. Beerstraaten (17th century, Netherlandish)
lyghtmylife: GEERTGEN tot Sint Jans [Netherlandish Northern Renaissance Painter, ca.1460-1490] The Tree of Jesse1480sOil on wood, 89 x 59 cmRijksmuseum, Amsterdam
lyghtmylife: MASTER of Flémalle [Netherlandish Northern Renaissance Painter, ca.1375-1444] Portrait of a Womanc. 1430Wood, 41 x 28 cmNational Gallery, London
Gerard David (c. 1460, Ouderwater - 1523, Bruges), The rest on the Flight into Egypt, c. 1512-15, oil on wood
Marten de Vos (Antwerp, 1532 - 1603), The Marriage at Cana, 1596-97; Cathedral of Our Lady, Antwerp
Peter Paul Rubens (Siegen 1577 - Antwerp 1640); Judas Maccabeus finds the hidden treasure of the heathen and prays for the souls of the slain sinners, c. 1635; oil on canvas, 130 x 150 cm; Musée des Beaux-Arts de Nantes
Frans Floris (Frans de Vriendt called Floris; Antwerp, 1517 - 1570); The Sacrifice of Jesus Christ, 1562; oil on wood, 230 x 165 cm; Musée du Louvre, Paris
Peter Paul Rubens (Siegen 1577 - Antwerp 1640); Head of a franciscan friar, 1515-17; oil on wood, 44 x 52 cm; Hermitage Museum, Saint Petersburg
Lucas van Leyden (Leiden, 1494 - 1533); Last Judgement (triptych), 1526-27; oil on panel, 435 x 301 cm; Stedelijk Museum De Lakenhal, Leiden
Jan van Eyck (Netherlandish, circa 1390-1441), The Annunciation, circa 1434-36; oil on canvas transferred from panel, painted surface: 90.2 x 34.1 cm; National Gallery of Art, WashingtonThe painting, originally a panel, was probably the left (inner)
Petrus Christus (Flemish, 1410-1475), Portrait of a Carthusian, 1446; oil on oak panel, 29.2 x 18.7 cm; Metropolitan Museum of Art “Portrait of a Carthusian featured a halo above the monk’s head when it was acquired by the Metropolitan Museum of
Gerard David (Netherlandish, c. 1460-1523), The Annunciation, 1506. Oil on oak panels, both circa 79 x 64 cm; Metropolitan Museum of Art, New York
lyghtmylife:Hans MEMLING [Netherlandish Northern Renaissance Painter, ca.1435-1494] Last Judgment Triptych (detail)1467-71Oil on woodMuzeum Narodowe, Gdansk
lyghtmylife:Hans MEMLING [Netherlandish Northern Renaissance Painter, ca.1435-1494] Last Judgment Triptych (central)1467-71Oil on woodMuzeum Narodowe, Gdansk
langoaurelian: PIETER COECKE VAN AELST(Netherlandish, 1502–1550). Design for a nautilus cup with Neptune riding a Hippocampus, ca. 1535–40. Pen and brush and two shades of brown ink, blue and red watercolor over black chalk. Princes of Waldburg-Wolfegg,
vaxhuvuden: Moses and Aaron before Pharaoh: An Allegory of the Dinteville Family, 1537Master of the Dinteville Allegory (Netherlandish or French, active mid-16th century)Oil on wood
lyghtmylife: HEMESSEN, Jan Sanders van [Netherlandish Mannerist Painter, ca.1500-1566] St Jerome1543Oil on panel, 102 x 84 cmThe Hermitage, St. Petersburg
Portrait of Giovanni Belzoni. 19th.century.Jan Adam Kruseman. Netherlandish. 1804-1862. oil/canvas
Portrait of Giovanni Belzoni. 19th.century.Jan Adam Kruseman. Netherlandish. 1804-1862. oil/canvas.
ab. 1530-1550 German or Netherlandish School, 16th century - Portrait of a Man in Red
hadrian6: Detail : Publius Horatius. 1586. Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem) engraving. http://hadrian6.tumblr.com
mrsramseysshawl: Denijs Calvaert (Netherlandish, Antwerp ca. 1540–1619 Bologna), Standing Male Nude, mid 16th–early 17th century
magictransistor:The Unicorn is in Captivity and No Longer Dead (Wool warp, wool, silk, silver, and gilt wefts), South Netherlandish Tapestry, c. 1495-1505.
thouartadeadthing: Anonymous (Netherlandish school), Holy Trinity, c. 1500, oil on panel, 17.8 x 11.4 cm., Privare collection.
history-of-fashion: 1524 Artist unknown, active northern Netherlands, Netherlandish - Portrait of a Man Holding a Pink
history-of-fashion: ab. 1530-1550 German or Netherlandish School, 16th century - Portrait of a Man in Red
history-of-fashion: 1496 Netherlandish or French - Jacob Obrecht
maertyrer: Unknown Netherlandish ArtistSt. Sebastian18th century
ganymedesrocks: rubenista: Augustin Van den Berghe, St. Sebastian (detail), 1777 Born in Bruges, a Southern Netherlandish artist, Augustin van den Berghe (1756-1836), studied at the Academy of Bruges with Jan Antoon Garemijn. In 1779 he left for France.
ganymedesrocks: Johann Gregor van der Schardt (circa 1530 - 1581), was one of the first of a group of successful Netherlandish artists who made their careers in foreign lands, never to return home. Nothing is known of his early training, but we do
hadrian6:Saint Sebastian. 1591. Cornelis Van Haarlem. Netherlandish 1562-1638. oil/canvas. http://hadrian6.tumblr.com
hadrian6:The Forge of Vulcan. 1649. Theodoor Van Thulden. Netherlandish 1606-1669. oil/canvas. http://hadrian6.tumblr.com
ganymedesrocks: antonio-m:“Amor Asleep”, c.1630 by Erasmus Quellinus II (1607–1678). Flemish painter. oil on canvas “Amor Asleep”, c.1625, Netherlandish oil on canvasGood Night!
blackpaint20: A Knight, Death, and the Devil, 16th century After the engraving by Albrecht Dürer (German, 1471-1528), dated 1513 (Bartsch 98) Attributed to Cornelis van Dalem, Netherlandish (active Antwerp), first documented 1545, died 1573
freystupid: Rosary Bead, early 16th centurySouth Netherlandish (Brabant)Boxwood; Diam. 2 1/16 in. (5.2 cm) Rosary beads, miniature altars, and other small devotional objects produced in Brabant in the early sixteenth century inspire awe by the
blackpaint20: Allegory of the Transitoriness of Life Jacob Matham (Netherlandish, Haarlem 1571–1631 Haarlem)