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msbehavoyeur: Trilogie érotique II ~ Drawings by Martin van Maele. Illustration of a poem by Paul Verlaine. 1907 via
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LE SONNET DU TROU DU CUL par Arthur Rimbaud et Paul Verlaine Obscur et froncé comme un œil violet Il respire, humblement tapi parmi la mousse Humide encor d’amour qui suit la pente douce Des fesses blanches jusqu’au bord de son ourlet. Des filaments
lesbrouillardsfutiles: Verlaine. Aquellos nacidos bajo el signo de Saturno.
“Y, vengando en ti la blasfemia De inmensas esperanzas vehementes, Hiere tu frente de anatema” (Verlaine)
Entonces -¡oh!-, ¡pobre alma querida, la eternidad no estaría perdida para nosotros! (Rimbaud)
Tom Verlaine and Patti Smith at Max’s Kansas City circa 1975
Paul Verlaine – Triolet à une vertu pour s’excuser du peu – 1890 À la grosseur du sentiment Ne vas pas mesurer ma force, Je ne prétends aucunement À la grosseur du sentiment. Toi, serre le mien bontément Entre ton arbre et ton écorce. À
astralsilence: Tom Verlaine photographed by David Corio.
The Verlaines
Verlaines | Doomsday (por FlyingNunRecords)
1880orso: Tom Verlaine photographed by Janette Beckman.
thecabinet: Michael Ayrton, (1921-1975) Illustration for the suite ‘Femmes/Hombres’ by Paul Verlaine
howsaucy: Martin Van Maele, illustration to La trilogie érotique by Paul Verlaine published in Brussels, 1931.
megairea: Paul Verlaine, from “The Moon, White…” (tr. by A.S. Kline); La Bonne Chanson: Poems, 1870
vex-verlain: “I have a beautiful and alluring partner.”Sherlock Holmes: “We solve mysteries and fight crime.”Harold Finch: “We solve mysteries and stop crimes before they start.”Sherlock Holmes: “We use deductive logic.”Harold Finch:
foxesinbreeches: Cover design by Karel Teige for Paul Verlaine’s Prokleti basnici, 1946(via grigiabot)
Verlaine and Rimbaud
howsaucy:Martin Van Maele, illustration to La trilogie érotique by Paul Verlaine published in Brussels, 1931.
seegson: “This is the commercial vessel Torrens out of Saint Clair, registration number MSV-7760, calling Sevastopol traffic control.” You can actually catch a very brief glimpse of the Crest of Verlaine’s ship near the end of the game.
Henri Fantin-Latour. The Corner of the Table. 1872 Paul Verlaine, Arthur Rimbaud, Elzear Bonnier, Leon Valade, Emile Blemont, Jean Aicard, Ernest d’Hervilly, Camille Pelletan.
necspenecmetu: Jean Frederic Bazille, Portrait of Paul Verlaine as a Troubadour, 1868
bblacha: Paul Verlaine for PIFAL group by sue ramá on Flickr. After an oil by Jean Frédéric Bazille, “Paul Verlaine as a Troubadour” mechanical pencil
the-paintrist: please-do-not-touch-the-artwork: Henri Fantin Latour, coin de table, 1872 Assis au premier plan, de gauche à droite : Paul Verlaine, Arthur Rimbaud, Léon Valade, Ernest d’Hervilly et Camille Pelletan ; debout, au second plan :
Paul Verlaine, Bibi-la-Purée et Stéphane Mallarmé au café Procope, Serafino Macchiati, 1890.
Verlaine by Courbet
Michael Ayrton, illustrations for Paul Verlaine and Arthur Rimbaud’s Amies, Hombres, Femmes
classical-gentry:Paul Verlaine and Arthur Rimbaud (seated, at left), in Henri Fantin-Latour’s “By the Table,” from 1872.
fixy8ed4xys: Guillermo Martín Bermejo | Liturgia Verlaine, 2020pencil on old notebook paper
privatecabinetstuff: Paul Verlaine, Hombres (Hommes) Potsdam: “Sous le manteau pour H. H. Tillgner”, (1920).An early illustrated edition of these homoerotic poems by Verlaine. Erotic title page etching by Marcus Behmer,
transparentgentlemenmarker:“ L'art, mes enfants, c'est d'être absolument soi-même ”Paul Verlaine
vulturehooligan: Paul-Marie Verlaine drinking absinthe in the Café François 1er in 1892, photographed by Paul Marsan Dornac. https://painted-face.com/
Verlaine - Café François 1er au 69 boulevard Saint-Michel - par le photographe Dornac , en 1892. Nudes & Noises
Around the Table (Writers) by Henri Fantin-Latour, 1872
portrait
astralsilence: Tom Verlaine of Television photographed by Richard E Aaron.
Jessica White shot by Julian Ungano in Rugby by Ralph Lauren, Richard Chai Love, and Verlaine for Lutte Magazine Issue #01
wildcaten: Patti Smith & Tom Verlaine. Backstage at CBGB’s. New York City, 1975.
generouslycrazytiger:Michael Ayrton Verlaine et Rimbaud
monsieurlabette:Verlaine by Courbet
sergelehidalgo: tú querías ser Arthur Rimbaud. poner color a las vocales. recibir la bala de Verlaine. arañar con tus dulces zarpas las almas de la burguesía. y huir con toda la gloria. a los diecinueve años. con la carne aún blanca y blanda. y
“I am the empire at the end of the decadence. ” - Paul Verlaine
iaintnobodyswhore: Patti Smith & Tom Verlaine
pattismithandrobertmapplethorpe: Patti Smith and Tom Verlaine Max’s Kansas City 1975
theslowdrag:See No Evil: Tom Verlaine, 1977.
prominentmen: Tom Verlaine and Patti Smith. © Anton Perich
infamousgifts: Television’s Tom Verlaine with John Cale in 1976.
infamousgifts: Tom Verlaine & Patti Smith in New York City, 1975. Photo by Charles Steiner.
infamousgifts: Tom Verlaine & Patti Smith in 1974, photographed by Waring Abbott.
pattismithandrobertmapplethorpe: Patti Smith and Tom Verlaine
o-v-n-i-s: o-v-n-i-s: Television: Tom Verlaine photographed by Ebet Roberts. I was pretty sure I had posted this with infamousgifts,so i’ve been looking for it since yesterday. thing is it was here. I LOVE THIS, CUTEST SMILE ON EARTH. didn’t wanted
infamousgifts:Television: Tom Verlaine by Donna Santisi.
macbcth:2K GRAPHIC REQUESTS: narcissae requested for “Verlaine and Rimbaud’s torrid and tragic love”Arthur Rimbaud first met Paul Verlaine in 1871. Rimbaud was 17, Verlaine 27. Both were brilliant, volatile and utterly committed to the quest for
thunderstruck9: Frédéric Bazille (French, 1841-1870), Portrait de Paul Verlaine à l'âge de vingt-trois ans [Portrait of Paul Verlaine at the age of twenty-three], 1867. Oil on canvas, 57.2 x 45.1 cm.