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nataliakoptseva: Hieronimus Bosch. Le Jardin des Délices, le Paradis, détail faune diverse et variée. 1480-1490.
Pelo d’Autore n° 1480 Che voglia di affondare le dita in quel Pelo….
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Tomb of Philippe Pot, c. 1480. Formerly in Citeaux, now in the Louvre.
“Gottfried von Berlichingen (c. 1480-1562) also known as Götz of the Iron Hand, was a German Imperial Knight and mercenary. “During the siege of the city of Landshut, he lost his right arm when enemy cannon fire forced his sword against him. He had
magictransistor: Francisco de Ximenez. Creation of Good and Bad Angels. Livre des Anges (Book of Angels). 1480.
demonagerie: Marseille, Bibliothèque municipale, ms. 0089, f. 041v. Speculum humanae salvationis. France (Provence?), c.1470-1480.
nataliakoptseva: 1480-1490 Hieronymus Bosch The Garden of Earthly Delights, Paradise imaginary Characters and glass Detail
necspenecmetu: Sandro Botticelli, Inferno, Canto XVIII, c. 1480-95
maertyrer: Pablo Vergós - The Martyrdom of Saint Stephen (1480-1495)
yeaverily: “The Concert in the Egg” by Hieronymus Bosch, 1475-1480
desimonewayland: Saint Bartholomew, Matteo di Giovanni ca. 1480–1485 Tempera and gold on wood Museum of Fine Arts Budapest
discardingimages: saints Hours of Louis de Laval, France ca. 1480 BnF, Latin 920, fol. 180r
artandopinion: Allegory with a Virgin 1479 - 1480 Hans Memling
artandopinion: Christ Surrounded by Musician Angels 1480s Hans Memling
oldroze: Hugo van der Goes. Death of the Virgin. c.1480. Oil on oak. Groeningemuseum, Bruges, Belgium
I’m watching Dexter 1480 others are also watching. Dexter on GetGlue.com
secfromdisaster: Artificial Hand 1500s Gottfried von Berlichingen (c. 1480-1562) also known as Götz of the Iron Hand, was a German Imperial Knight and mercenary. “During the siege of the city of Landshut, he lost his right arm when enemy
chaosophia218: The Skull Cathedral of Otranto: Where the bones of 800 martyrs adorn the walls. On August 12, 1480, 800 citizens were taken to the hill of Minerva, now called the Hill of the Martyrs, and beheaded because they refused to renounce their
fullfrontalunknownmen: 1480
1480夜『異端者シオラン』パトリス・ボロン|松岡正剛の千夜千冊
sagan-indiana: The Conjurer, 1475-1480, by Hieronymus Bosch or his workshop. Notice how the man in the back row steals another man’s purse while applying misdirection by looking at the sky. The artist even misdirects us from the thief by drawing us
mreal37240: Panty Poop 1480 Linda: “Ich geh zu Miriam!”Mutter: “Viel Spass”, schnüffelt etwas, “was stinkt hier so?”Linda (rot im Gesicht): “Weiß nicht du richts Sachen die
tormented-spirituality: Christ in Limbo 1460s by Friedrich Pacher active 1470-1480
favxxx: 10musume.com YM_1480 今回の天然むすめ 「 井上美紀 」 2作品目 貴重な陰毛を剃毛されたロリ娘
brunhiddensmusings: historyarchaeologyartefacts: The iron hand of Götz von Berlichingen (1480-1562), a knight and mercenary who lost his right arm in a siege [640×360] points about this-it was shot off by a cannon-he continued being a knight for over
the-regeneratin-degenerate: fuckaspunk: brunhiddensmusings: historyarchaeologyartefacts: The iron hand of Götz von Berlichingen (1480-1562), a knight and mercenary who lost his right arm in a siege [640×360] points about this-it was shot off by a
redmacha: wtfarthistory: The Temptation of Saint Anthony: Hieronymus Bosch, c. 1485, Museo del Prado Matthias Grünewald, Isenheim Altarpiece, 1512-16, Unterlinden Museum, Colmar, Alsace, France Lieven van Lathem, 1469, about 1471, and about 1480 -
v-ersacrum: Carlo Crivelli, Mary Magdalene (detail), c.1480
b4-16: Left: Portrait of Simonetta Vespucci Piero di Cosimo c. 1480 / Right: Rihanna for GQ Art Directed by Damien Hirst
lyghtmylife: SANTACROCE, Girolamo da Italian painter, Venetian school (b. 1480/85, Santa Croce, d. ca. 1556, Venezia) St John the Baptist1500sOil on panel, 69 x 46 cmSzépmûvészeti Múzeum, Budapest
renaissance-art: Botticelli c. 1480s Dante: Divina Commedia
centuriespast: Jean Hey, known as The Master of Moulins, active c. 1480-c. 1505 The Annunciation, 1490/95 Art Institute Chicago
Joachim Patinir (1480 or 1485 - 1524) a) Rest during the flight to Egypt, oil on panel, 121 x 177 cm, Museo del Prado, Madrid b) The rest on the flight into Egypt, painted after 1515, oil on panel, 62 x 78 cm, Gemäldegalerie, Berlin
kecobe: Albrecht Altdorfer (German; ca. 1480–1538)Landschaft mit Fichte = Landscape with Spruce Tree Pen and brown ink, watercolor, body color, and a little white heightening, ca. 1522 Kupferstichkabinett, Staatliche Museen zu Berlin
Tiziano Vecellio (Pieve di Cadore 1480/85 - Venezia 1576), Noli me tangere (1511/12 c.), National Gallery, London
Hugo van der Goes (Ghent c. 1440 - Oudergem 1482); Death of the Virgin, c. 1475 -1480; oil on oak panel
masterpiecedaily: Piero di Cosimo Portrait of Simonetta Vespucci 1480
Lorenzo Lotto (Venezia c. 1480 - Loreto 1556); L'elemosina di Sant'Antonino (The Alms of St. Anthony), 1540-42; oil on canvas, 235 x 332 cm; Basilica dei Santi Giovanni e Paolo, Venezia
Palma il Vecchio (Jacopo Negretti called Palma il Vecchio; Serina, Bergamo, 1480 - Venezia 1528); Diana e Callisto, 1525-28; oil on panel, 124 x 78 cm; Kunsthistorisches Museum, Vienna enlarge
Matthias Grünewald (Würzburg, ca. 1480 – Halle, 1528); Christ carrying the Cross, c. 1523-24; oil on wood, 152 x 193 cm; Kunsthalle, Karlsruhe
Michael Pacher (c. 1435, Bruneck, Sudtyrol - 1498 Salzburg); The Martyrdom of St. Lawrence, c. 1480; oil on panel, 102 x 99 cm; Alte Pinakothek, Munich
Albrecht Altdorfer (Regensburg, c. 1480 - 1538); Der Sieg Karls des Großen über die Awaren bei Regensburg, 1518; oil on wood, 122 x 110,5 cm; Germanishes Nationalmuseum, Nurnberg
Hans von Kulmbach (Hans Süß, Kulmbach around 1480 - Nuremberg c. 1522); The Coronation of the Virgin, 1514; oil on panel, 79 x 117 cm; Kunsthistorisches Museum, Vienna
Palma Vecchio (Italian: Jacopo Palma il Vecchio, circa 1480-1528), Portrait of a Poet, circa 1516; oil on canvas transferred from wood, 83 x 63 cm; National Gallery, London“The painting has been supposed to represent a poet because the figure holds
attributed to Domenico Bramante (Italian, 1444-1514), Cristo alla colonna (Christ at the Column), 1480-90; tempera on panel, 93 x 62 cm. Pinacoteca di Brera, Milan
Domenico Ghirlandaio (Italian, 1448-1494), Cenacolo di Ognissanti - Ultima Cena (refectory of the Convent of Ognissanti - Last Supper), 1480; fresco, 400 x 880 cm; Florence
Pietro di Galeotto (about 1450 - 1483) Flagellazione di Cristo (Flagellation of Christ), 1480; oil on canvas, 196 x 134 cm; Perugia, Oratorio di San Francesco
Piero di Cosimo (Italian, 1462-1522), The young Saint John the Baptist, 1480-82; tempera and oil on wood panel, 29.2 x 23.5 cm; Metropolitan Museum of Art, New York
alaspoorwallace:Lorenzo Lotto (Italian, 1480-1556/1557), Marsilio Cassotti and his Wife Faustina (detail and overall), 1523. Oil on canvas, 71 x 84 cm. Museo del Prado, Madrid
lionofchaeronea:Saint Barbara, the Master of Frankfurt (fl. ca. 1480-1520)
koredzas: Antonio Vivarini - Saint Peter Exorcising a Demon Who Took on the Features of a Madonna and Child. Detail. 1440 - 1480
koredzas: Antoniazzo Roman - Saint Vincent Ferrer, Christ the Judge and Donor. 1480 - 1490
art-of-swords: Cinquedea and Scabbard Dated: circa 1480-1510 Culture: Italian Medium: blade of gilt and etched steel, grip of ivory and gilt brass, hardened tooled leather scabbard Measurements: overall length 62.4 cm; blade length 47.6 cm Provenance:
nataliakoptseva: 1480-1490 Hieronymus Bosch The Garden of Earthly Delights, Paradise imaginary Details: Fish, bird and egg
nataliakoptseva: 1480-1490 Hieronymus Bosch The Garden of Earthly Delights, Hell, detail
blackpaint20: St Catherine of Siena Autun, Bibliothèque municipale, Book of Hours, Autun, c.1480-1490 So Pale.
history-of-fashion: ab. 1480 Giovanni Bellini - Portrait of a Young Man in Red (National Gallery of Art, Washington)